Film Clip (143)
Find narratives by ethical themes or by technologies.
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- 8 min
- Kinolab
- 1982
Main Control Program, an Artificial Intelligence presence, has self-developed beyond the imagination of its creators and sets its sights on hacking global governments, including the pentagon. It believes that with its growing intelligence, it can rule better than any human can, and forces the hand of Dillinger, a human, to help move its hacking beyond corporations. Meanwhile, a team of hackers attempt to break into the mainframe of this system. When the rebel hacker Flynn attempts to hack into the mainframe of the MCP, he is drawn into the digital world of the computer which is under the dominion of the MCP. Sark, one of the digital beings who serves the MCP, is tasked with killing Flynn.
- Kinolab
- 1982
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- 8 min
- Kinolab
- 1982
Digital Hegemony in the Real and Virtual Worlds
Main Control Program, an Artificial Intelligence presence, has self-developed beyond the imagination of its creators and sets its sights on hacking global governments, including the pentagon. It believes that with its growing intelligence, it can rule better than any human can, and forces the hand of Dillinger, a human, to help move its hacking beyond corporations. Meanwhile, a team of hackers attempt to break into the mainframe of this system. When the rebel hacker Flynn attempts to hack into the mainframe of the MCP, he is drawn into the digital world of the computer which is under the dominion of the MCP. Sark, one of the digital beings who serves the MCP, is tasked with killing Flynn.
Is human anxiety over the potential for super-powered AI justified? Would things truly be better if machines and artificial intelligence made authoritative decisions as global actors and rulers?
What could be the implications of ‘teleporting’ into digital space in terms of alienation from the real world? For now, it seems that humans are in charge of computers in the “real” world; if humans were to enter a digital world, who would be in charge? Do AI beings owe subservience to humans for their creation, given their increasing intelligence?
TRON: The MCP's Plan-
- 2 min
- Kinolab
- 1982
Tron, a security program within the digital world, is thought dead and mourned by fellow programs Yori and Dumont.
- Kinolab
- 1982
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- 2 min
- Kinolab
- 1982
Bonding, Creation, and Religion among the Digital
Tron, a security program within the digital world, is thought dead and mourned by fellow programs Yori and Dumont.
Can programmed AI develop emotions and attachment to its maker? Could this be considered a sort of religious freedom for artificial intelligence? If so, is it ethical to use super-intelligent AI without considering its rights?
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- 14 min
- Kinolab
- 2014
Caleb, a programmer in a large company, is invited by his boss Nathan to test a robot named Ava. During one session of the Turing Test, Ava fearfully interrogates Caleb on what her fate will be if she is deemed not capable or human enough by the results of the test. Caleb struggles to deliver the honest answer, especially given that Ava displays attachment toward him, a sentiment which he returns. After Caleb discovers that Nathan wants to essentially kill Ava, he loops her in to his escape plan, offering her freedom and a chance to live a human life. Once Nathan is killed, Ava goes to his robotics repository and bestows a new physical, humanlike appearance upon herself. She then permanently traps Caleb, the only remaining person who knows she is an android, in Nathan’s compound before escaping to live a human life in the real world.
- Kinolab
- 2014
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- 14 min
- Kinolab
- 2014
Liberty, Autonomy, and Desires of Humanoid Robots
Caleb, a programmer in a large company, is invited by his boss Nathan to test a robot named Ava. During one session of the Turing Test, Ava fearfully interrogates Caleb on what her fate will be if she is deemed not capable or human enough by the results of the test. Caleb struggles to deliver the honest answer, especially given that Ava displays attachment toward him, a sentiment which he returns. After Caleb discovers that Nathan wants to essentially kill Ava, he loops her in to his escape plan, offering her freedom and a chance to live a human life. Once Nathan is killed, Ava goes to his robotics repository and bestows a new physical, humanlike appearance upon herself. She then permanently traps Caleb, the only remaining person who knows she is an android, in Nathan’s compound before escaping to live a human life in the real world.
What rights to freedom do AI have? Do sentient AI beings deserve to be at the mercy of their creators? What are the consequences of machines being able to detect and expose lies? Is emotional attachment to AI a valid form of love? What threat could well-disguised, hyper-intelligent AI pose for humanity? If no one knows or can tell the difference, does that matter?
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- 5 min
- Kinolab
- 2016
Westworld, a western-themed amusement park, is populated by realistic robotic creatures known as “hosts” that are designed in a lab and constantly updated to seem as real and organic as possible. One of the robotic hosts, Dolores, recounts to the human guest William a memory of old times with her father and her attachment to lost cattle throughout the years. Directly afterward, she has a flashback to a former iteration of herself, which was killed in another narrative before being restored by the lab team. Later on in the narrative which William and his sadistic future brother-in-law Logan follow, Logan reveals his darker nature by shooting one of the robots and telling Dolores that she is a robot, a choice which disgusts William. Logan argues that his actions do not morally matter because this is a fake world full of fake people.
- Kinolab
- 2016
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- 5 min
- Kinolab
- 2016
Expendability vs. Emotional Connection in Humanoid Robots
Westworld, a western-themed amusement park, is populated by realistic robotic creatures known as “hosts” that are designed in a lab and constantly updated to seem as real and organic as possible. One of the robotic hosts, Dolores, recounts to the human guest William a memory of old times with her father and her attachment to lost cattle throughout the years. Directly afterward, she has a flashback to a former iteration of herself, which was killed in another narrative before being restored by the lab team. Later on in the narrative which William and his sadistic future brother-in-law Logan follow, Logan reveals his darker nature by shooting one of the robots and telling Dolores that she is a robot, a choice which disgusts William. Logan argues that his actions do not morally matter because this is a fake world full of fake people.
Can AI be programmed to feel like it is ‘human’? If AI can form attachments to things or people through programming, is that attachment considered “real”? What are the ethical questions involved with how humans treat advanced AI? Does human morality apply to ‘virtual’ experiences/games? Do human actions in digital realms/against digital beings reveal something about their humanity? Is it important to program consequences into digital environments, even if they come at the expense of total “freedom” for users?
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- 17 min
- Kinolab
- 2018
Wade Watts lives in an imagined future in which the OASIS, a limitless virtual reality world, acts as a constant distraction from the real world for the majority of citizens. Anything constructed in the virtual world, from possessions to relationships, is valued and taken as real by users. When a large corporation headed by Nolan Sorrento attempts to gain sole ownership of the virtual reality network, Wade’s avatar Parzival inspires a revolution among the citizens in the digital world, ultimately winning for himself and his friends the ownership of, and the power to regulate, the OASIS.
- Kinolab
- 2018
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- 17 min
- Kinolab
- 2018
Digital Escapism and Online Connections
Wade Watts lives in an imagined future in which the OASIS, a limitless virtual reality world, acts as a constant distraction from the real world for the majority of citizens. Anything constructed in the virtual world, from possessions to relationships, is valued and taken as real by users. When a large corporation headed by Nolan Sorrento attempts to gain sole ownership of the virtual reality network, Wade’s avatar Parzival inspires a revolution among the citizens in the digital world, ultimately winning for himself and his friends the ownership of, and the power to regulate, the OASIS.
What are the pros and cons of developing exciting, immersive communities in virtual reality platforms? Do social networks change the nature of human interaction for better, for worse, or both at once? Can any one social network outpace reality as a means of connection? What is the risk of one corporate entity having centralized control over large social digital spaces? What is “the real world” if VR is convincing enough? Should the digital be heavily regulated if it serves as a legitimate coping mechanism for some?
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- 3 min
- Kinolab
- 2018
Wade Watts lives in an imagined future in which the OASIS, a limitless virtual reality world, acts as a constant distraction from the real world for the majority of citizens. In this scene, his virtual avatar Parzival visits the Halliday Journals, a complete archive of the memories of James Halliday, the creator of the OASIS. These memories are digitized in their complete abstract form, and seem freely accessible to anyone.
- Kinolab
- 2018
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- 3 min
- Kinolab
- 2018
The Digitization of Memory and its Consequences
Wade Watts lives in an imagined future in which the OASIS, a limitless virtual reality world, acts as a constant distraction from the real world for the majority of citizens. In this scene, his virtual avatar Parzival visits the Halliday Journals, a complete archive of the memories of James Halliday, the creator of the OASIS. These memories are digitized in their complete abstract form, and seem freely accessible to anyone.
How can tech like the “cloud” be used for the storage of abstract data like consciousness and memories? What would be potential impact on human memory if memories were easily able to become fully digital? What are the dangers of intimate memories being potentially accessible to anyone in the digital world?