Film Clip (143)
Find narratives by ethical themes or by technologies.
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- 4 min
- Kinolab
- 1995
In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.
- Kinolab
- 1995
Identity Through Memory and Data
In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.
If robots develop to the point where they can question their own existence as human, does the line between robot and human truly matter? For what reason? Is questioning human existence a fundamentally human trait? Can fake memories contribute to an identity as much as real ones? Is this a dangerous concept, or might it have positive utility? Do you agree with the assessment that “all data is just fantasy,” or an inaccurate abstraction of real life? What kinds of data, then, make up the human identity?
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- 9 min
- Kinolab
- 1995
In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. The Puppet Master, a notorious villain in this world, is revealed not to be a human hacker, but a computer program which has gained sentience and gone on to hack the captured shell. It challenges the law enforcement officials of Section 6 and Section 9 saying that it is a life-form and not an AI. It argues that its existence as a self-sustaining program which has achieved singularity is not different from human DNA as a “self-sustaining program.” The Puppet Master specifically references reproduction/offspring, not copying, as a distinguishing feature of living things as opposed to nonliving things. Additionally, it developed emotional connection with Major which led it to select her as a candidate for merging. It references how it can die but live on through the merging and, after Major’s death, in the internet.
- Kinolab
- 1995
Self-Sustaining Programs
In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. The Puppet Master, a notorious villain in this world, is revealed not to be a human hacker, but a computer program which has gained sentience and gone on to hack the captured shell. It challenges the law enforcement officials of Section 6 and Section 9 saying that it is a life-form and not an AI. It argues that its existence as a self-sustaining program which has achieved singularity is not different from human DNA as a “self-sustaining program.” The Puppet Master specifically references reproduction/offspring, not copying, as a distinguishing feature of living things as opposed to nonliving things. Additionally, it developed emotional connection with Major which led it to select her as a candidate for merging. It references how it can die but live on through the merging and, after Major’s death, in the internet.
Do you agree with the puppet master’s arguments that self-sustaining programs are conceptually the same as human DNA? Why or why not? Has the externalisation of memory made it far more possible for robots to achieve singularity and exist as human-like figures in the world? Is memory the sole feature that helps humans build their identities? List all the comparisons made in this narrative between self-sustaining programs and human genetics and existence.
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- 12 min
- Kinolab
- 1973
Simulacron is a virtual reality full of 10,000 simulated humans who believe themselves to be sentient, but are actually nothing more than programs. The identity units in Simulacron do not know or understand that they are artificial beings, and they behave under the idea that they are real humans. “Real” humans can enter this virtual reality through a brain-computer interface, and control the virtual identity units. Christopher Nobody, a suspect whom Fred is trying to track down, had the revelation that he was an identity unit, and that realization led to a mental breakdown. In following this case, Fred meets Einstein, a virtual unit who desires to join the real world. As Einstein enacts the final stages of this plan, Fred discovers a shocking secret about his own identity. For a similar concept, see the narrative “Online Dating Algorithms” on the Hang the DJ episode of Black Mirror.
- Kinolab
- 1973
Simulated Humans and Virtual Realities
Simulacron is a virtual reality full of 10,000 simulated humans who believe themselves to be sentient, but are actually nothing more than programs. The identity units in Simulacron do not know or understand that they are artificial beings, and they behave under the idea that they are real humans. “Real” humans can enter this virtual reality through a brain-computer interface, and control the virtual identity units. Christopher Nobody, a suspect whom Fred is trying to track down, had the revelation that he was an identity unit, and that realization led to a mental breakdown. In following this case, Fred meets Einstein, a virtual unit who desires to join the real world. As Einstein enacts the final stages of this plan, Fred discovers a shocking secret about his own identity. For a similar concept, see the narrative “Online Dating Algorithms” on the Hang the DJ episode of Black Mirror.
What purposes can virtual reality “laboratories” full of simulated humans serve in terms of research in fields such as sociology? Is it justifiable to make programs which believe themselves to be sentient humans, yet deny them access to the “real world”? How can AI mental health be reassured, especially when it comes to existential crises like the one Fred has?
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- 6 min
- CBS News
- 2021
In light of the recent allegations of Facebook whistleblower Frances Haugen that the platform irresponsibly breeds division and mental health issues, AI Specialist Karen Hao explains how Facebook’s “algorithm(s)” serve or fail the people who use them. Specifically, the profit motive and a lack of exact and comprehensive knowledge of the algorithm system prevents groundbreaking change from being made.
- CBS News
- 2021
Facebook algorithm called into question after whistleblower testimony calls it dangerous
In light of the recent allegations of Facebook whistleblower Frances Haugen that the platform irresponsibly breeds division and mental health issues, AI Specialist Karen Hao explains how Facebook’s “algorithm(s)” serve or fail the people who use them. Specifically, the profit motive and a lack of exact and comprehensive knowledge of the algorithm system prevents groundbreaking change from being made.
Do programmers and other technological minds have a responsibility to understand exactly how algorithms work and how they tag data? What are specific consequences to algorithms which use their own criteria to tag items? How do social media networks take advantage of human attention?
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- 9 min
- Kinolab
- 2013
In the world of this film, Robin Wright plays a fictional version of herself who has allowed herself to be digitized by the film company Miramount Studios in order to be entered into many films without having to actually act in them, becoming digitally immortal in a sense. Once she enters a hallucinogenic mixed reality known as Abrahama City, she agrees to renew the contract with Miramount studios under the panic of her declining mental health and sense of autonomy. This renewed contract will not only allow movies starring her digital likeness to be made, but will also allow people to appear as her.
- Kinolab
- 2013
Dangers of Digital Commodification
In the world of this film, Robin Wright plays a fictional version of herself who has allowed herself to be digitized by the film company Miramount Studios in order to be entered into many films without having to actually act in them, becoming digitally immortal in a sense. Once she enters a hallucinogenic mixed reality known as Abrahama City, she agrees to renew the contract with Miramount studios under the panic of her declining mental health and sense of autonomy. This renewed contract will not only allow movies starring her digital likeness to be made, but will also allow people to appear as her.
When mixed realities make any sort of appearance possible, how do people keep agency over their own likenesses and identities? How can engineers ensure that common human fears, including the fear of aging, do not drive innovations that will ultimately do more harm than good? Should anyone be allowed to give consent for their likeness to be used in any way the new owner sees fit, given how easily people can be coerced, manipulated, or gaslit? How could economic imbalances be further entrenched or established if certain people are allowed to sell their identities or likenesses?
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- 12 min
- Kinolab
- 1965
The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.
- Kinolab
- 1965
Supercomputer Rule and Condensing Human Behavior
The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.
Can governing computers or machines ever be totally objective? Is this objectivity dangerous? Do humans need emotionality to define themselves and their societies, so that a focus on rationality does not allow for computers to take over rule of our societies? Can the actions of all humans throughout the past be reduced down to a pattern that computers can understand or manipulate? What are the implications of omnipresent technology in city settings?