All Narratives (328)
Find narratives by ethical themes or by technologies.
FILTERreset filters-
- 12 min
- Kinolab
- 2011
In this episode, Bing Madsen is one of many citizens who provide power to the digital world through spending each day on a stationery bike, which earns him “merits” to spend on both leisure activities and necessities. These laborers, along with all other classes, are constantly surrounded by screens in which their digital avatars can participate in virtual activities like biking on a road or being in a “live” studio audience. The reality competition show “Hot Shot” is one program streamed on these screens. In this narrative, Bing’s friend Abi auditions for the show as a singer, but is instead coerced by the mass audience into signing as a pornstar for one of the judge’s companies.
- Kinolab
- 2011
-
- 12 min
- Kinolab
- 2011
Digital Media and the Commodification of Women’s Bodies
In this episode, Bing Madsen is one of many citizens who provide power to the digital world through spending each day on a stationery bike, which earns him “merits” to spend on both leisure activities and necessities. These laborers, along with all other classes, are constantly surrounded by screens in which their digital avatars can participate in virtual activities like biking on a road or being in a “live” studio audience. The reality competition show “Hot Shot” is one program streamed on these screens. In this narrative, Bing’s friend Abi auditions for the show as a singer, but is instead coerced by the mass audience into signing as a pornstar for one of the judge’s companies.
In what ways have digital technologies made sexual harassment worse, and how can this be solved? How does being digitally separated from others make people less empathetic and push them to engage in mob mentality? How do digital technologies like social networks sometimes deprive people of autonomy over their bodies? How can users of digital technologies ensure that any sexually explicit content they produce remains in their ownership and control? What problems arise from the pornography industry experiencing such growth in the digital age?
Black Mirror : Bing Wakes Up-
- 7 min
- Kinolab
- 2013
At some point in the near future, Martha’s husband Ash dies in a car accident. In order to help Martha through the grieving process, her friend Sara gives Ash’s data to a company which can create an artificial intelligence program to simulate text and phone conversations between Martha and Ash. Through the chat bot, Ash essentially goes on living, as he is able to respond to Martha and grow as more memories are shared with the program.
- Kinolab
- 2013
-
- 7 min
- Kinolab
- 2013
Martha and Ash Part I: Digital Revival and Human Likeness in Software
At some point in the near future, Martha’s husband Ash dies in a car accident. In order to help Martha through the grieving process, her friend Sara gives Ash’s data to a company which can create an artificial intelligence program to simulate text and phone conversations between Martha and Ash. Through the chat bot, Ash essentially goes on living, as he is able to respond to Martha and grow as more memories are shared with the program.
How should programs like this be deployed? Who should be in charge of them? Do our online interactions abstract our entire personality? Could this be validly used for therapy purposes, or is any existence of such software dangerous? Is it ethical to provide such a tangible way of disconnecting from reality, and are these interactions truly all that different from something like social media interactions?
-
- 7 min
- Kinolab
- 2017
In a generic post-apocalyptic scenario, Bella and her comrades are relentlessly hunted by dog-like robotic drones which spray small trackers to mark and hunt down their prey. After Bella’s companions are killed, she is able to hold off a short while longer before reaching the inevitable conclusion that she cannot escape.
- Kinolab
- 2017
-
- 7 min
- Kinolab
- 2017
Robotics and Warfare
In a generic post-apocalyptic scenario, Bella and her comrades are relentlessly hunted by dog-like robotic drones which spray small trackers to mark and hunt down their prey. After Bella’s companions are killed, she is able to hold off a short while longer before reaching the inevitable conclusion that she cannot escape.
What are the potential consequences of using automated drones to carry out tasks, especially robotics used for warfare purposes? What happens if centralized control over robots with a singular purpose fails? How does GPS tracking allow for easier pursuit of innocent victims?
-
- 12 min
- Kinolab
- 2016
Cooper, a world traveller whose father recently died of Alzheimer’s disease, is payed to play-test a virtual reality game in which a brain-computer interface will be inserted through his neck in order to place his consciousness into a horror scenario in which he is plagued by his deepest fears. After several terrifying vignettes, he begins to lose all of his memories, mirroring his ultimate concern of succumbing to Alzheimer’s like his father and continuing to ignore or forget his mother. After this, he appears to be rescued by the game’s managers, but the truth of his real-life situation is later revealed to be far more gruesome.
- Kinolab
- 2016
-
- 12 min
- Kinolab
- 2016
Personalized and Occupational Dangers of Digital Realities
Cooper, a world traveller whose father recently died of Alzheimer’s disease, is payed to play-test a virtual reality game in which a brain-computer interface will be inserted through his neck in order to place his consciousness into a horror scenario in which he is plagued by his deepest fears. After several terrifying vignettes, he begins to lose all of his memories, mirroring his ultimate concern of succumbing to Alzheimer’s like his father and continuing to ignore or forget his mother. After this, he appears to be rescued by the game’s managers, but the truth of his real-life situation is later revealed to be far more gruesome.
Is it ethical to use human subjects to test digital games or realities involving personal psychological processes? What might some alternatives be? How can the safety of subjects be ensured? How can scientists ensure brain-computer interfaces are safe before trying them out on human brains? Can this ever be done ethically? How could technology which mines ones deepest psychological fears be used or abused outside of entertainment purposes?
-
- 15 min
- Kinolab
- 2017
Detective Shazia Akhand is assigned to investigate the case of a man who was hit by a pizza truck in the street to help him build a case. She uses a brain-computer interface to read the memories of both the man hit by the truck and other witnesses, where the vague, abstract images are projected onto a screen. One of these witnesses includes Mia, a serial killer whose former crimes are revealed during her interview. In order to erase any footage or evidence of her murders, Mia continues her killing spree by wiping out Shazia and her family. However, Mia is eventually caught through the memories of an unlikely source.
- Kinolab
- 2017
-
- 15 min
- Kinolab
- 2017
Digital Memory Projection and Walking Surveillance Cameras
Detective Shazia Akhand is assigned to investigate the case of a man who was hit by a pizza truck in the street to help him build a case. She uses a brain-computer interface to read the memories of both the man hit by the truck and other witnesses, where the vague, abstract images are projected onto a screen. One of these witnesses includes Mia, a serial killer whose former crimes are revealed during her interview. In order to erase any footage or evidence of her murders, Mia continues her killing spree by wiping out Shazia and her family. However, Mia is eventually caught through the memories of an unlikely source.
Should police or detectives be able to view memories for interrogation reasons? Where should the line be drawn in these cases? What are the issues with tasking precise digital technologies with extracting and showing abstract memories? How could this technology be manipulated to make subjective memories seem objective? How might this sort of technology makes witnesses to crimes more targeted? How is this concept similar and different to the idea that anyone could accidentally or intentionally be capturing anything on a phone camera? Should technology be created that essentially allows anyone to be a walking surveillance camera?
-
- 9 min
- Kinolab
- 2017
Robert Daly is a programmer at the company Callister, which developed the immersive virtual reality game Infinity and its community for the entertainment of users. Daly is typically seen in the shadow of the co-founder of the company, the charismatic James Walton. Unbeknownst to anyone else, Daly possesses a personal modification of the Infinity game program, where he is able to upload sentient digital clones of his co-workers to take out his frustrations upon. In this narrative, Nannette Cole becomes his newest victim after her DNA is used to draw her into the virtual reality. After Daly’s sexist and violent treatment of her and the other crewmates, Nannette inspires a mutiny to escape Daly’s world. In order to help the team carry out the plan, she seduces Daly as a distraction.
- Kinolab
- 2017
-
- 9 min
- Kinolab
- 2017
Virtual Vindictiveness and Simulated Clones Part II: Daly and Cole
Robert Daly is a programmer at the company Callister, which developed the immersive virtual reality game Infinity and its community for the entertainment of users. Daly is typically seen in the shadow of the co-founder of the company, the charismatic James Walton. Unbeknownst to anyone else, Daly possesses a personal modification of the Infinity game program, where he is able to upload sentient digital clones of his co-workers to take out his frustrations upon. In this narrative, Nannette Cole becomes his newest victim after her DNA is used to draw her into the virtual reality. After Daly’s sexist and violent treatment of her and the other crewmates, Nannette inspires a mutiny to escape Daly’s world. In order to help the team carry out the plan, she seduces Daly as a distraction.
What should the ethical boundaries be in terms of creating digital copies of real-life people to manipulate in virtual realities? How would this alter the perception of autonomy or entitlement? Should the capability to create exact digital likenesses of real people be created for any reason? If so, how should their autonomy be ensured, since they are technically a piece of programming? How can bias, and more specifically the objectification of women, be eliminated in such conceptualisations? Are digital copies of a person entitled to the same rights that their corporeal selves have?