All Narratives (355)
Find narratives by ethical themes or by technologies.
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- 13 min
- Kinolab
- 2011
In this episode, Bing Madsen is one of many citizens who provide power to the digital world through spending each day on a stationery bike, which earns him “merits” to spend on both leisure activities and necessities. These laborers, along with all other classes, are constantly surrounded by screens in which their digital avatars can participate in virtual activities like biking on a road or being in a “live” studio audience. The reality competition show “Hot Shot” is one program streamed on these screens. In this narrative, Bing conspires to grab the attention of the world on stage, proclaiming that the whole digital world is fake and has brainwashed the laborers into providing power while upper classes get more leisure and enjoyment. This eventually lands him with his own talk show, where he recreates his suicide threats for sensational content in exchange for a more lucrative lifestyle.
- Kinolab
- 2011
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- 13 min
- Kinolab
- 2011
Technological Immersion, Digital Underclasses, and Attention Economies
In this episode, Bing Madsen is one of many citizens who provide power to the digital world through spending each day on a stationery bike, which earns him “merits” to spend on both leisure activities and necessities. These laborers, along with all other classes, are constantly surrounded by screens in which their digital avatars can participate in virtual activities like biking on a road or being in a “live” studio audience. The reality competition show “Hot Shot” is one program streamed on these screens. In this narrative, Bing conspires to grab the attention of the world on stage, proclaiming that the whole digital world is fake and has brainwashed the laborers into providing power while upper classes get more leisure and enjoyment. This eventually lands him with his own talk show, where he recreates his suicide threats for sensational content in exchange for a more lucrative lifestyle.
How can technology be used/how is technology used to pacify the masses? What connection can you make to the society depicted here and the way that social media and other digital companies use data to make profits? How can digital technologies become a breeding ground for sensational content, and can this problem be fixed? Can anyone be “unplugged” and successful in our reality? How do internet communities commodify authenticity?
Black Mirror: Bing Wakes Up-
- 6 min
- Kinolab
- 2014
In this episode, Matt and Joe Potter, who inhabit the same cabin, tell each other short stories from their lives. Eventually, Joe Potter reveals that he killed his former father in law, and shortly after became responsible for the murdered man’s granddaughter freezing to death in the snow. Once he confesses this crime, it is revealed that Joe Potter is actually a digital consciousness trapped inside a virtual reality manipulated by Matt, designed in order to get his murder confession. Now having given a clear confession, his digital consciousness is sentenced to live inside a virtual reality, existing in nothingness for thousands of years.
- Kinolab
- 2014
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- 6 min
- Kinolab
- 2014
Digital Interrogation and Torture Methods
In this episode, Matt and Joe Potter, who inhabit the same cabin, tell each other short stories from their lives. Eventually, Joe Potter reveals that he killed his former father in law, and shortly after became responsible for the murdered man’s granddaughter freezing to death in the snow. Once he confesses this crime, it is revealed that Joe Potter is actually a digital consciousness trapped inside a virtual reality manipulated by Matt, designed in order to get his murder confession. Now having given a clear confession, his digital consciousness is sentenced to live inside a virtual reality, existing in nothingness for thousands of years.
How can virtual reality be abused? If law enforcement come to use virtual reality as an interrogation technique, what should the rules and regulations be? Is it ethical to administer such interrogation or torture techniques unknowingly on any criminal, no matter how egregious their crime?
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- 7 min
- Kinolab
- 2014
Matt tells Joe Potter about how he used to train uploaded consciousnesses to take care of people’s homes. After somebody’s brain is copied and uploaded onto a cookie, the copy is often unwilling to perform the menial tasks asked of them. However, once the consciousness is inside the “cookie,” time can be manipulated however the real people see fit in order to coerce cooperation for the coded digital consciousness.
- Kinolab
- 2014
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- 7 min
- Kinolab
- 2014
Repetitive Code as a Menial Laborer
Matt tells Joe Potter about how he used to train uploaded consciousnesses to take care of people’s homes. After somebody’s brain is copied and uploaded onto a cookie, the copy is often unwilling to perform the menial tasks asked of them. However, once the consciousness is inside the “cookie,” time can be manipulated however the real people see fit in order to coerce cooperation for the coded digital consciousness.
Can we upload consciousness in order to make our lives easier? How do we ethically treat a digital consciousness? How can digital beings be put to good use in our lives? As AI potentially become more humanoid, is it justifiable to continue assigning them long repetitive tasks?
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- 5 min
- Kinolab
- 2014
In this vignette, Matt describes his backstory as a member of an online community who used technology called “Z-eyes” to walk each other through activities such as flirting with women at bars. The Z-eyes technology directly streams all audiovisual data which his friend Harry experiences to his screen, and Matt is additionally able to use facial recognition and information searches to offer background information which enhances Harry’s plays.
- Kinolab
- 2014
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- 5 min
- Kinolab
- 2014
Vicarious Digital Living
In this vignette, Matt describes his backstory as a member of an online community who used technology called “Z-eyes” to walk each other through activities such as flirting with women at bars. The Z-eyes technology directly streams all audiovisual data which his friend Harry experiences to his screen, and Matt is additionally able to use facial recognition and information searches to offer background information which enhances Harry’s plays.
What are some problems with technology such as this being invisible, in terms of privacy? Could this have legitimate therapeutic purposes, such as being a treatment for social anxiety? How should technology like Z-eyes be regulated?
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- 11 min
- Kinolab
- 2013
A CGI bear named Waldo is created using computer technology which sees the facial expressions of a comedian and renders it in real-time onto a screen. He is able to insult politicians with little retribution perhaps in part because he does not appear human. This power is harnessed by executives to put up Waldo as a candidate in a political race, where he is able to take part in a debate with real people and does not seem beholden to the same standards. Eventually, Waldo’s “driver” Jamie reveals his own identity, but Waldo continues on as a figure through embodying the voice of another worker in the company.
- Kinolab
- 2013
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- 11 min
- Kinolab
- 2013
Politics and Digital Mouthpieces
A CGI bear named Waldo is created using computer technology which sees the facial expressions of a comedian and renders it in real-time onto a screen. He is able to insult politicians with little retribution perhaps in part because he does not appear human. This power is harnessed by executives to put up Waldo as a candidate in a political race, where he is able to take part in a debate with real people and does not seem beholden to the same standards. Eventually, Waldo’s “driver” Jamie reveals his own identity, but Waldo continues on as a figure through embodying the voice of another worker in the company.
How do digital media, specifically social media platforms, allow critical and political voices to hide behind some wall of anonymity? Can digital abstractions of real political figures be considered to actually fully embody the person or candidate themself, especially when other staffers usually run their accounts? How do digital platforms change the nature of relationships between politicians and citizens in terms of direct communication? Does hiding behind digital platforms make it easier for anyone to make bold claims and statements?
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- 9 min
- Kinolab
- 2013
At some point in the near future, Martha’s husband Ash dies in a car accident. In order to help Martha through the grieving process, her friend Sara gives Ash’s data to a company which can create an artificial intelligence program to simulate text and phone conversations between Martha and Ash. Eventually, this program is uploaded onto a robot which has the exact likeness of the deceased Ash. Upon feeling creeped out by the humanoid robot and its imprecision in terms of capturing Ash’s personality, Martha wants nothing more than to keep the robot out of her sight.
- Kinolab
- 2013
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- 9 min
- Kinolab
- 2013
Martha and Ash Part II: Digital Revival and Human Likeness in Hardware
At some point in the near future, Martha’s husband Ash dies in a car accident. In order to help Martha through the grieving process, her friend Sara gives Ash’s data to a company which can create an artificial intelligence program to simulate text and phone conversations between Martha and Ash. Eventually, this program is uploaded onto a robot which has the exact likeness of the deceased Ash. Upon feeling creeped out by the humanoid robot and its imprecision in terms of capturing Ash’s personality, Martha wants nothing more than to keep the robot out of her sight.
How can memories be kept pure when robots are able to impersonate deceased loved ones? If programs and robots such as this can be created, do we truly own our own existence? How can artificial intelligence fail as therapy or companionship? Can artificial intelligence and robotics help comfort people who never even met the deceased? How should an artificial companion be handled by its administrator? Can an animated or robotic humanoid likeness of a person who seemingly has feelings be relegated to the attic as easily as other mementos can?