All Narratives (328)
Find narratives by ethical themes or by technologies.
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- 8 min
- Kinolab
- 2019
Chris is a ride-share driver who has taken passenger Jaden hostage, with the conditions of release being that he is connected with Billy Bauer, the CEO of social media company Smithereen, for a conversation. While the London police attempt to deal with the situation through negotiation, the management team at Smithereen uses several data mining techniques, including analysis of Chris’s various social media pages and audio data streaming from his device, to provide the police with a valuable and complete profile on Chris.
- Kinolab
- 2019
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- 8 min
- Kinolab
- 2019
Social Media Data and Cooperation with Law Enforcement
Chris is a ride-share driver who has taken passenger Jaden hostage, with the conditions of release being that he is connected with Billy Bauer, the CEO of social media company Smithereen, for a conversation. While the London police attempt to deal with the situation through negotiation, the management team at Smithereen uses several data mining techniques, including analysis of Chris’s various social media pages and audio data streaming from his device, to provide the police with a valuable and complete profile on Chris.
Are things said on social media fair game for law enforcement to use against a person? Does this include data that a user might not even know a company has gathered on them? How might “abstractions” of a user formed by a social media company be misused to make a bad judgement about a person? Should social media information and profiles of users made by companies be used in attempts to stop crime or criminals before any wrongdoings are committed? What are the dangers of big data companies having a close relationship with law enforcement?
Black Mirror: Smithereens and the FBI-
- 6 min
- Kinolab
- 2019
Chris is a driver at an Uber-esque company with a great amount of anxiety and disdain for the widespread addiction to smartphones. He inexplicably waits outside the same building every day to pick up clients. One day, he finally proceeds with a dastardly plan.
- Kinolab
- 2019
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- 6 min
- Kinolab
- 2019
Ride-Hailing Hazards
Chris is a driver at an Uber-esque company with a great amount of anxiety and disdain for the widespread addiction to smartphones. He inexplicably waits outside the same building every day to pick up clients. One day, he finally proceeds with a dastardly plan.
How has digital addiction made the expectation for convenience so normalized that people are willing to put themselves into dangerous situations, as the passenger Jaden does here? What kinds of safety features have companies like Uber or Lyft built into their platforms so far, and how could they do even better?
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- 15 min
- Kinolab
- 2019
Danny, Karl, and Theo are a trio of friends who all once lived together. In their adult years, after Danny and Theo have married, Karl gifts Danny with the most recent release of their favorite fighting video game, Striking Vipers X. In this virtual reality simulation, Danny and Karl are able to become their avatars, Lance and Roxette respectively, and feel pain and pleasure in the virtual world through them. After the avatars begin to form an intimate connection within the virtual reality video game, Danny, Theo, and Karl find themselves needing to negotiate new terms of their relationships with one another, struggling to find if connections in the virtual world can coexist with connections in the real world.
- Kinolab
- 2019
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- 15 min
- Kinolab
- 2019
Relationships and Exploration of Identity in Virtual Worlds
Danny, Karl, and Theo are a trio of friends who all once lived together. In their adult years, after Danny and Theo have married, Karl gifts Danny with the most recent release of their favorite fighting video game, Striking Vipers X. In this virtual reality simulation, Danny and Karl are able to become their avatars, Lance and Roxette respectively, and feel pain and pleasure in the virtual world through them. After the avatars begin to form an intimate connection within the virtual reality video game, Danny, Theo, and Karl find themselves needing to negotiate new terms of their relationships with one another, struggling to find if connections in the virtual world can coexist with connections in the real world.
How do virtual reality worlds allow humans to explore aspects of their sexual or gender identities that they may not have the opportunity to discover in the real world? Do the seemingly limitless possibilities for connection with digital technologies and virtual realities innately pose a threat to the landscape of long term relationships? Should concepts such as sex be built into virtual realities? If it is assumed that the reality is fake and the avatars are distinct from their controllers, do Danny’s actions count as infidelity?
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- 15 min
- Kinolab
- 2017
In a world in which the program Coach determines the pairing and duration of romantic matches, Frank and Amy managed to be matched more than once and eventually fall in love after failed matches with other people. After Frank breaks a promise to Amy by checking the expiry date that is automatically assigned to all relationships, they temporarily break up. After a reunion, they set out to discover the truth of their reality and the meaning of their match.
- Kinolab
- 2017
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- 15 min
- Kinolab
- 2017
Online Dating Algorithms
In a world in which the program Coach determines the pairing and duration of romantic matches, Frank and Amy managed to be matched more than once and eventually fall in love after failed matches with other people. After Frank breaks a promise to Amy by checking the expiry date that is automatically assigned to all relationships, they temporarily break up. After a reunion, they set out to discover the truth of their reality and the meaning of their match.
Should machine learning algorithms, even the most sophisticated ones, be trusted when it comes to deeply emotional matters like love? Can simulations and algorithms account for everything when it comes to a person’s experience of love? How could algorithmic bias which is present in real-life matching programs enter the virtual reality system shown here? How can advanced simulations be distinguished from reality? Has the digital age moved the dating experience firmly past the “old days” of falling in love, and should this be embraced?
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- 11 min
- Kinolab
- 2017
Museum curator Rolo shows off the exhibition of Clayton, a former death row inmate whose consciousness became digital during one of Rolo’s experiments. Despite evidence of his innocence, Clayton was put to death, and his digitally immortal consciousness was subjected to torture inside Rolo’s museum, with guests being able to simulate the electric chair shock on the holographic Clayton and eventually putting him in a conscious but vegetative state. Clayton’s daughter Nish shows up to settle the score, trapping Rolo in an eternal state of torture in a small digital device.
- Kinolab
- 2017
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- 11 min
- Kinolab
- 2017
Technological Tortures and Traps
Museum curator Rolo shows off the exhibition of Clayton, a former death row inmate whose consciousness became digital during one of Rolo’s experiments. Despite evidence of his innocence, Clayton was put to death, and his digitally immortal consciousness was subjected to torture inside Rolo’s museum, with guests being able to simulate the electric chair shock on the holographic Clayton and eventually putting him in a conscious but vegetative state. Clayton’s daughter Nish shows up to settle the score, trapping Rolo in an eternal state of torture in a small digital device.
How can one protect their digital consciousness after they pass away? Can anyone ever be fully trusted to handle codes or programs that represent someone else’s existence or consciousness? How does the existence of racial bias and violence make the concept of eternal digital consciousnesses far more harrowing?
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- 6 min
- Kinolab
- 2017
After his wife Carrie dies, Jack originally has her consciousness uploaded to his own brain as code. Once this solution is deemed unworkable, he has the coding of her consciousness transferred into a digital monkey toy which is gifted to their son Parker so that Carrie can continue to spend time with him. However, Carrie can only communicate in a binary manner, having access to only 2 phrases to express happiness or unhappiness.
- Kinolab
- 2017
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- 6 min
- Kinolab
- 2017
Digitally Immortal Vessels and Eternity
After his wife Carrie dies, Jack originally has her consciousness uploaded to his own brain as code. Once this solution is deemed unworkable, he has the coding of her consciousness transferred into a digital monkey toy which is gifted to their son Parker so that Carrie can continue to spend time with him. However, Carrie can only communicate in a binary manner, having access to only 2 phrases to express happiness or unhappiness.
How can developers of digital immortality technology ensure that it is ethical from the get-go? Can something like this ever be “piloted” when lives are at stake? How can people ensure that digital lives do not last for true eternity, especially if those existences are mundane? How can humans keep control of their existences in concepts such as this?