• 
• 12 min
• Kinolab
• 1973

Simulacron is a virtual reality full of 10,000 simulated humans who believe themselves to be sentient, but are actually nothing more than programs. The identity units in Simulacron do not know or understand that they are artificial beings, and they behave under the idea that they are real humans. “Real” humans can enter this virtual reality through a brain-computer interface, and control the virtual identity units. Christopher Nobody, a suspect whom Fred is trying to track down, had the revelation that he was an identity unit, and that realization led to a mental breakdown. In following this case, Fred meets Einstein, a virtual unit who desires to join the real world. As Einstein enacts the final stages of this plan, Fred discovers a shocking secret about his own identity. For a similar concept, see the narrative “Online Dating Algorithms” on the Hang the DJ episode of Black Mirror. 

• AI Emotions and Rights
• Edited Humans
• Brain-Computer Interfaces
• Virtual Reality

• 
• 9 min
• Kinolab
• 1995

In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body.  The Puppet Master, a notorious villain in this world, is revealed not to be a human hacker, but a computer program which has gained sentience and gone on to hack the captured shell. It challenges the law enforcement officials of Section 6 and Section 9 saying that it is a life-form and not an AI. It argues that its existence as a self-sustaining program which has achieved singularity is not different from human DNA as a “self-sustaining program.” The Puppet Master specifically references reproduction/offspring, not copying, as a distinguishing feature of living things as opposed to nonliving things. Additionally, it developed emotional connection with Major which led it to select her as a candidate for merging. It references how it can die but live on through the merging and, after Major’s death, in the internet.

• AI Emotions and Rights
• Singularity
• Brain-Computer Interfaces
• Robots

• 
• 4 min
• Kinolab
• 1995

In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.

• Control of Personal Data/Identity
• Edited Humans
• Brain-Computer Interfaces
• Robots

• 
• 3 min
• Kinolab
• 2009

In a distant future after the “Water War” in which much of the natural environment was destroyed and water has become scarce, Asha works as a curator at a museum which displays the former splendor of nature on Earth. She receives a mysterious soil sample which, after digital analysis using a object recognition to take data from the soil, surprisingly contains water.

• Technology Based Environmental Impact
• Object Recognition
• Data Mining

• 
• 8 min
• Kinolab
• 1984

Rotwang, a reclusive inventor, invents a robot to replace his love Hel whom he lost to Joh Frederson. He claims that it has everything it needs to replace her except for a soul. Joh Frederson takes advantage of the robot’s design as an artificial companion to imitate Maria’s likeness, essentially creating a copy of her. The purpose of this is to infiltrate the working class and use Maria, who the workers admire, as a tool to further Joh Frederson’s agenda to suppress a laborer’s manifestation. The workers have unknowlingly placed so much trust into the robot version of Maria that they refuse to listen to Grot as a fellow worker, destroying the Heart Machine as Joh intended.

• Artificial Companionship and Therapy
• Digital Activism
• Robots

• 
• 12 min
• Kinolab
• 1965

The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.

• Singularity
• Governing Technologies
• Machine Learning
• Natural Language Interfaces