Brain-Computer Interfaces (43)
Find narratives by ethical themes or by technologies.
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- 11 min
- Kinolab
- 1993
Geordie uses a brain-computer interface, which projects his consciousness into a mobile avatar controlled by his neural impulses, to explore distant ships. This humanoid avatar is able to perform tasks that go beyond human capabilities, such as shooting phaser beams from the hands. However, upon discovering the dead crew of the Raman, it is revealed that the lines separating his virtual reality and true reality are blurred.
- Kinolab
- 1993
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- 11 min
- Kinolab
- 1993
Interface: The Virtual Extension of the Self
Geordie uses a brain-computer interface, which projects his consciousness into a mobile avatar controlled by his neural impulses, to explore distant ships. This humanoid avatar is able to perform tasks that go beyond human capabilities, such as shooting phaser beams from the hands. However, upon discovering the dead crew of the Raman, it is revealed that the lines separating his virtual reality and true reality are blurred.
What non-fantastical applications might you be able to think of for a technology similar to this, especially in regards to transferring neural impulses into a machine? What are the consequences of giving machines unbridled access to our thoughts? How can machines get in the way of perception of objective reality?
Star Trek: The Next Generation: Test Run-
- 16 min
- Kinolab
- 2004
Joel Barish recently broke up with Clementine, his girlfriend of two years, in a brutal argument. After discovering that she has used a procedure known as Lacuna to erase him from her memories, Joel decides to undergo the same procedure to forget that he ever knew Clementine. The procedure uses a brain-computer interface to map the areas of Joel’s brain that are active whenever he has a memory of Clementine, first when he is awake and using associated objects to perform active recall and then when he is asleep and subconsciously remembering her. Despite Joel’s eventual regrets and desperate attempts to remember Clementine, the procedure is successful, and he forgets her. However, Joel and Clementine reunite in the real world after their respective procedures, and as they have a fresh start, they end up listening to Clementine’s tape from before the procedure where she dissects all of the flaws of Joel and their relationship.
- Kinolab
- 2004
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- 16 min
- Kinolab
- 2004
Digital Memory Erasure and Brain Mapping
Joel Barish recently broke up with Clementine, his girlfriend of two years, in a brutal argument. After discovering that she has used a procedure known as Lacuna to erase him from her memories, Joel decides to undergo the same procedure to forget that he ever knew Clementine. The procedure uses a brain-computer interface to map the areas of Joel’s brain that are active whenever he has a memory of Clementine, first when he is awake and using associated objects to perform active recall and then when he is asleep and subconsciously remembering her. Despite Joel’s eventual regrets and desperate attempts to remember Clementine, the procedure is successful, and he forgets her. However, Joel and Clementine reunite in the real world after their respective procedures, and as they have a fresh start, they end up listening to Clementine’s tape from before the procedure where she dissects all of the flaws of Joel and their relationship.
Is it possible to completely forget and event or a person in the digital age, or is there always the possibility that traces will remain? Do digital technologies hold memories well enough, or is there something more abstract about these memories that they cannot capture? How could the technology displayed here be abused? Does pervasive digital memory of people and events ever allow us to feel completely neutral about another person, and is the a departure from the pre-digital age? Do humans have an over-reliance on digital memory? How have relationships changed with the advent of digital memory?
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- 5 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Ben, a member of the family who owns the company which created the Feed, uses the augmented reality features to create a virtual version of his ex-wife, Miyu, who he can make indulge in his own fantasies, regardless of what those may be. Eventually, this digital version of Miyu starts to glitch, but Ben nonetheless begins to share this virtual, subservient clone to other people to use in their own fantasies.
- Kinolab
- 2019
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- 5 min
- Kinolab
- 2019
VR Intimacy and Objectification
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Ben, a member of the family who owns the company which created the Feed, uses the augmented reality features to create a virtual version of his ex-wife, Miyu, who he can make indulge in his own fantasies, regardless of what those may be. Eventually, this digital version of Miyu starts to glitch, but Ben nonetheless begins to share this virtual, subservient clone to other people to use in their own fantasies.
How are women deprived of autonomy when men are able to control virtual versions of women in their own digital fantasies? How exactly would the consequences of this infect the real world? Is it ethical to use someone’s image and likeness for private purposes without their consent? How can we ‘copyright’ our own image?
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- 2 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Max, a citizen whose Feed was hacked, has to get the device removed from his body as his best friends watch. This procedure includes the removal of some of his memories from both his brain and from the device, although they manage to upload these into a cloud.
- Kinolab
- 2019
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- 2 min
- Kinolab
- 2019
Implanted Technology and Disconnection
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Max, a citizen whose Feed was hacked, has to get the device removed from his body as his best friends watch. This procedure includes the removal of some of his memories from both his brain and from the device, although they manage to upload these into a cloud.
What are the risks involved with brain-computer interfaces, especially when we need to ‘remove’ them from our brains? How might this increase medical costs? How can memory and consciousness be ‘backed up’ and ‘uploaded’ back into our bodies using advanced technology?
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- 5 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Lawrence, the CEO of the tech monopoly which created the Feed, explains to his son Tom that the newest model of the Feed is a quasi-organic implant which automatically appears in the makeup of an infant’s brain; they are born with it, having no say in whether or not it should be there and being unable to remove it. Lawrence and Tom then debate the pros and cons of this approach.
- Kinolab
- 2019
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- 5 min
- Kinolab
- 2019
Genetic Implants and Choice
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Lawrence, the CEO of the tech monopoly which created the Feed, explains to his son Tom that the newest model of the Feed is a quasi-organic implant which automatically appears in the makeup of an infant’s brain; they are born with it, having no say in whether or not it should be there and being unable to remove it. Lawrence and Tom then debate the pros and cons of this approach.
Which side presented here do you tend to agree with more? Does Lawrence have a point in stating that the opportunity for anyone to innately have this implant might solve problems such as inequity and chaos? Does Tom have a point in stating that agency and autonomy of all people are at risk in this new imagination of society? Does one of these viewpoints outweigh the other? Should tech monopolies be able to determine what “societal progress” means, even if they have the means to achieve their specific vision? Can tech monopolies alone be trusted to make progress in trying to make the world a more equitable place?
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- 2 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his father had deleted some of his childhood memories from the device in his brain, thus Tom has lost all access to them. For further insights into technology and the nature of parent-child relationships, see the narratives “Marie and Sara Parts I and II.”
- Kinolab
- 2019
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- 2 min
- Kinolab
- 2019
Personal Control over Memories
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his father had deleted some of his childhood memories from the device in his brain, thus Tom has lost all access to them. For further insights into technology and the nature of parent-child relationships, see the narratives “Marie and Sara Parts I and II.”
What rights do parents have over the minds and bodies of their children? Should parents ever be able to alter the memories of their children, even if this is supposedly for their own good? What are the consequences of the externalisation of memory through digital technology? How should children be able to give consent for alterations to technological implants?