Robotics (62)
Find narratives by ethical themes or by technologies.
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- 7 min
- Kinolab
- 2017
In his hunt for a missing android child, the robot police officer K visits Dr. Ana Stelline to determine if a memory of his own from his childhood is real or fabricated. Dr. Stelline is in the business of creating false memories to implant into robot’s heads in order to make them seem more believably human. She argues that having memories to lean on as one experiences the world is a cornerstone of the human experience.
- Kinolab
- 2017
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- 7 min
- Kinolab
- 2017
Fabricated Memories and Believability
In his hunt for a missing android child, the robot police officer K visits Dr. Ana Stelline to determine if a memory of his own from his childhood is real or fabricated. Dr. Stelline is in the business of creating false memories to implant into robot’s heads in order to make them seem more believably human. She argues that having memories to lean on as one experiences the world is a cornerstone of the human experience.
Do you agree with Dr. Stelline’s assessment in this narrative? Does achieving singularity through fabricated memories truly make AI any more human, or would they still be nothing more than replicants? Conversely, what are the issues raised by uploading authentic human memories into a robot? How does that affect agency and identity of real humans, on small and large scales? What makes us human, if not our memories and consciousness, and if AI have that as well, do they achieve personhood? How do digital technologies already abstract the concept of memory, and can that be extended any further or not?
Blade Runner 2049: Ana Stelline-
- 11 min
- Kinolab
- 2017
Rick Deckard was a former “Blade Runner,” or specialized police officer who would track down and kill humanoid robots, or “replicants,” which were meant to be submissive laborers in space colonies. K is one such of these robots, working in the same business. After finding out that Deckard had a relationship and child with Rachael, one of the first ever robots with the capability to mirror organic human reproduction, K tracks him down in an attempt to find the child. Deckard reveals that he was estranged from the child, abandoning them in an act of love to avoid trackers from finding them. Eventually, K deduces the identity of the child, and takes Deckard to meet her.
- Kinolab
- 2017
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- 11 min
- Kinolab
- 2017
Android Children and Human Parents
Rick Deckard was a former “Blade Runner,” or specialized police officer who would track down and kill humanoid robots, or “replicants,” which were meant to be submissive laborers in space colonies. K is one such of these robots, working in the same business. After finding out that Deckard had a relationship and child with Rachael, one of the first ever robots with the capability to mirror organic human reproduction, K tracks him down in an attempt to find the child. Deckard reveals that he was estranged from the child, abandoning them in an act of love to avoid trackers from finding them. Eventually, K deduces the identity of the child, and takes Deckard to meet her.
Should robots be able to reproduce just as humans can? How can their rights to their own children then be ensured, especially in the sense that the parent may “belong” to someone else? What if a humanoid robot does not receive the same degree of love from a human parent on the basis of being a robot? Should robot reproduction ever become possible if it potentially means creating a new class of humanoid beings who will experience oppression and a need to fight for rights, respect, and love?
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- 5 min
- Kinolab
- 2008
Memo lives in a small Mexican rural village with his father. This narrative reveals that access to water in the area surrounding their village is limited; one company oversees a watering hole where people pay to replenish their supply. This business, Del Rio Water Company, builds dams and other means of controlling the water supply, and uses drones to protect these against suspected aqua-terrorists who might seek to take back control of it.
- Kinolab
- 2008
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- 5 min
- Kinolab
- 2008
Drones and Gatekeeping Natural Resources
Memo lives in a small Mexican rural village with his father. This narrative reveals that access to water in the area surrounding their village is limited; one company oversees a watering hole where people pay to replenish their supply. This business, Del Rio Water Company, builds dams and other means of controlling the water supply, and uses drones to protect these against suspected aqua-terrorists who might seek to take back control of it.
How might the centralization of technological power and capital lead to gatekeeping of natural and vital resources like water? How might drones and other technologies de-sensitize profiteers to those whom they are hurting? What happens when technology is used and abused by those who don’t have the best interests of all people at heart? How does technology cause and reinforce changes to our environment? Could surveillance technology such as this potentially be used for positive conservation purposes?
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- 14 min
- Kinolab
- 2008
After his family home is destroyed and his father is killed, Memo must become a part of the global economy. He is expected to do this at the Sleep Dealer Factory, where citizens of Mexico who are implanted with “nodes” connect to a brain-computer interface which they use to remotely control robots in the United States. This was meant to be a solution to the “migrant problem” to the United States in this imagined future, allowing the United States to contract labor from immigrants without actually having people cross the border. However, the wages payed by the Sleep Dealers for the exhaustive labor are incredibly low, thus most laborers there live in unlivable conditions. The technology is shown to not only be exhausting due to the menial labor, but also dangerous if someone is connected during a short-circuit.
- Kinolab
- 2008
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- 14 min
- Kinolab
- 2008
Networked Laborers and Remote Workforces
After his family home is destroyed and his father is killed, Memo must become a part of the global economy. He is expected to do this at the Sleep Dealer Factory, where citizens of Mexico who are implanted with “nodes” connect to a brain-computer interface which they use to remotely control robots in the United States. This was meant to be a solution to the “migrant problem” to the United States in this imagined future, allowing the United States to contract labor from immigrants without actually having people cross the border. However, the wages payed by the Sleep Dealers for the exhaustive labor are incredibly low, thus most laborers there live in unlivable conditions. The technology is shown to not only be exhausting due to the menial labor, but also dangerous if someone is connected during a short-circuit.
How could technology theoretically exacerbate the gross xenophobia displayed toward Mexican immigrants in the United States? How does automation lower the value of labor, causing harm to those communities who need jobs? How can automation and robots be used to avoid putting workers in dangerous scenarios? Could a system using the technologies displayed in this narrative ever be designed to be truly fair?
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- 8 min
- Kinolab
- 1984
Rotwang, a reclusive inventor, invents a robot to replace his love Hel whom he lost to Joh Frederson. He claims that it has everything it needs to replace her except for a soul. Joh Frederson takes advantage of the robot’s design as an artificial companion to imitate Maria’s likeness, essentially creating a copy of her. The purpose of this is to infiltrate the working class and use Maria, who the workers admire, as a tool to further Joh Frederson’s agenda to suppress a laborer’s manifestation. The workers have unknowlingly placed so much trust into the robot version of Maria that they refuse to listen to Grot as a fellow worker, destroying the Heart Machine as Joh intended.
- Kinolab
- 1984
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- 8 min
- Kinolab
- 1984
Robotic Impostors
Rotwang, a reclusive inventor, invents a robot to replace his love Hel whom he lost to Joh Frederson. He claims that it has everything it needs to replace her except for a soul. Joh Frederson takes advantage of the robot’s design as an artificial companion to imitate Maria’s likeness, essentially creating a copy of her. The purpose of this is to infiltrate the working class and use Maria, who the workers admire, as a tool to further Joh Frederson’s agenda to suppress a laborer’s manifestation. The workers have unknowlingly placed so much trust into the robot version of Maria that they refuse to listen to Grot as a fellow worker, destroying the Heart Machine as Joh intended.
How can robots, even those without weapons, be used to stifle dissent and rebellion? What are the consequences to making robots in the likeness of loved ones or admirable figures? How can this be used to trick people without their knowledge? Should robots ever be able to imitate real people, especially if it is hard to give them a “soul”? What is a soul?
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- 4 min
- Kinolab
- 1995
In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.
- Kinolab
- 1995
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- 4 min
- Kinolab
- 1995
Identity Through Memory and Data
In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.
If robots develop to the point where they can question their own existence as human, does the line between robot and human truly matter? For what reason? Is questioning human existence a fundamentally human trait? Can fake memories contribute to an identity as much as real ones? Is this a dangerous concept, or might it have positive utility? Do you agree with the assessment that “all data is just fantasy,” or an inaccurate abstraction of real life? What kinds of data, then, make up the human identity?