Technologies (319)
Find narratives by ethical themes or by technologies.
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- 9 min
- Kinolab
- 2013
In the world of this film, Robin Wright plays a fictional version of herself who has allowed herself to be digitized by the film company Miramount Studios in order to be entered into many films without having to actually act in them, becoming digitally immortal in a sense. Once she enters a hallucinogenic mixed reality known as Abrahama City, she agrees to renew the contract with Miramount studios under the panic of her declining mental health and sense of autonomy. This renewed contract will not only allow movies starring her digital likeness to be made, but will also allow people to appear as her.
- Kinolab
- 2013
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- 9 min
- Kinolab
- 2013
Dangers of Digital Commodification
In the world of this film, Robin Wright plays a fictional version of herself who has allowed herself to be digitized by the film company Miramount Studios in order to be entered into many films without having to actually act in them, becoming digitally immortal in a sense. Once she enters a hallucinogenic mixed reality known as Abrahama City, she agrees to renew the contract with Miramount studios under the panic of her declining mental health and sense of autonomy. This renewed contract will not only allow movies starring her digital likeness to be made, but will also allow people to appear as her.
When mixed realities make any sort of appearance possible, how do people keep agency over their own likenesses and identities? How can engineers ensure that common human fears, including the fear of aging, do not drive innovations that will ultimately do more harm than good? Should anyone be allowed to give consent for their likeness to be used in any way the new owner sees fit, given how easily people can be coerced, manipulated, or gaslit? How could economic imbalances be further entrenched or established if certain people are allowed to sell their identities or likenesses?
The Congress: Is It Just in My Mind?-
- 16 min
- Kinolab
- 2003
In a distant future, the majority of humanity has been wiped out, and most of the planet is flooded. ECOBAN is a city which runs on technological power, avoiding destruction and pollution by using a machine which converts pollutants into power. However, Marrians, who live on the exterior of the city in the destroyed world, are responsible for performing the labor to harvest these pollutants, without any of the benefits. Essentially, Ecoban keeps its technology to itself, not sharing it with the “contaminated” underclasses. Shua, a renegade Marrian hacker, attempts to shut down the DELOS system, the technology which powers Ecoban and has destroyed the surrounding environment entirely. He ultimately succeeds in his mission, breaking the DELOS system which gave Ecobans a privileged life and at last bringing back blue skies.
- Kinolab
- 2003
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- 16 min
- Kinolab
- 2003
Technological Regulation of the Environment and Division
In a distant future, the majority of humanity has been wiped out, and most of the planet is flooded. ECOBAN is a city which runs on technological power, avoiding destruction and pollution by using a machine which converts pollutants into power. However, Marrians, who live on the exterior of the city in the destroyed world, are responsible for performing the labor to harvest these pollutants, without any of the benefits. Essentially, Ecoban keeps its technology to itself, not sharing it with the “contaminated” underclasses. Shua, a renegade Marrian hacker, attempts to shut down the DELOS system, the technology which powers Ecoban and has destroyed the surrounding environment entirely. He ultimately succeeds in his mission, breaking the DELOS system which gave Ecobans a privileged life and at last bringing back blue skies.
How can it be ensured that technology built with the aim to reverse climate change or otherwise aid the environment helps all people, and not just certain higher classes? How can governments or leaders support “Robin Hood” hackers who disrupt technology for a greater good? Who is responsible for bridging digital divides and bringing technological equality to disadvantaged communities, and how should this be approached? How should technology be created to be accessible to all communities?
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- 7 min
- Kinolab
- 2013
In this film, actress Robin Wright plays a fictionalized version of herself as an actress whose popularity is declining. Her agent Al exposes her to deep fake technology which creates a virtual version of an actor to play a role in any number of scenarios or films. These “actors” are 3D holographs with AI that have been trained to replicate the real person which they imitate. However, Robin is disconcerted with the lack of agency that she would have in deciding how her image and identity appeared in these movies.
- Kinolab
- 2013
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- 7 min
- Kinolab
- 2013
Digital Performers and the Gift of Choice
In this film, actress Robin Wright plays a fictionalized version of herself as an actress whose popularity is declining. Her agent Al exposes her to deep fake technology which creates a virtual version of an actor to play a role in any number of scenarios or films. These “actors” are 3D holographs with AI that have been trained to replicate the real person which they imitate. However, Robin is disconcerted with the lack of agency that she would have in deciding how her image and identity appeared in these movies.
What sorts of problems are implicated with the ability to manipulate another person’s body and likeness in a piece of media without their consent? Does technology like this actually have the potential to free actors from some of the constraints of the film industry, as Al says? How would acting be valued as an art, and actors paid accordingly and properly, if this technology became the norm?
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- 12 min
- Kinolab
- 1965
The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.
- Kinolab
- 1965
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- 12 min
- Kinolab
- 1965
Supercomputer Rule and Condensing Human Behavior
The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.
Can governing computers or machines ever be totally objective? Is this objectivity dangerous? Do humans need emotionality to define themselves and their societies, so that a focus on rationality does not allow for computers to take over rule of our societies? Can the actions of all humans throughout the past be reduced down to a pattern that computers can understand or manipulate? What are the implications of omnipresent technology in city settings?
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- 5 min
- Kinolab
- 1993
Jurassic Park is an under-review theme park where innovator John Hammond has managed to use computational genomics to revive the dinosaurs. The park is managed by a complex security system, involving an internet of things which connects security cameras, other monitors, and defense systems to the computers in the control room. Computer programmer Dennis Nedry, under command of a briber, uses malware to hack the computer systems and steal dinosaur DNA, turning the park into a very hostile environment for the scientists once the safety mechanisms fail.
- Kinolab
- 1993
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- 5 min
- Kinolab
- 1993
Systems Errors in Entertainment Areas
Jurassic Park is an under-review theme park where innovator John Hammond has managed to use computational genomics to revive the dinosaurs. The park is managed by a complex security system, involving an internet of things which connects security cameras, other monitors, and defense systems to the computers in the control room. Computer programmer Dennis Nedry, under command of a briber, uses malware to hack the computer systems and steal dinosaur DNA, turning the park into a very hostile environment for the scientists once the safety mechanisms fail.
How can workplaces be protected against hacks from someone who works within said workplace? Should safety systems be under the control of a small number of people or computers? Should volatile environments, such as nuclear power plants or dinosaur parks, be trusted with a security system involving a hackable internet of things? What are the alternatives? Is convenience worth the cost in this case?
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- 15 min
- Kinolab
- 1993
Dinosaurs are an extinct species that are revived and brought into the modern day in Jurassic Park. This is accomplished through a cloning process involving extracting dinosaur DNA from mosquitos preserved in amber, and using computational genomics to create replicants with certain properties, such as breeding only female dinosaurs. Three scientists are sent to audit the park, and all three find problems inherent with the use of technology in attempts to control life itself. Eventually, the park’s founder, John Hammond, admits that his idea to create entertainment out of this dangerous technological revival was a failure, which is seen in action during the subsequent dinosaur attack.
- Kinolab
- 1993
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- 15 min
- Kinolab
- 1993
Technological Revival of the Past
Dinosaurs are an extinct species that are revived and brought into the modern day in Jurassic Park. This is accomplished through a cloning process involving extracting dinosaur DNA from mosquitos preserved in amber, and using computational genomics to create replicants with certain properties, such as breeding only female dinosaurs. Three scientists are sent to audit the park, and all three find problems inherent with the use of technology in attempts to control life itself. Eventually, the park’s founder, John Hammond, admits that his idea to create entertainment out of this dangerous technological revival was a failure, which is seen in action during the subsequent dinosaur attack.
Is using computational genomics to alter the course of nature and natural selection itself inherently wrong? Are there contexts where this may be helpful or necessary? How should technology be used to tell the story of the past, and what limits should exist in this prospect? How can technological idealists like John Hammond be checked before their innovations lead to disaster?