Themes (326)
Find narratives by ethical themes or by technologies.
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- 7 min
- Kinolab
- 2013
In this film, actress Robin Wright plays a fictionalized version of herself as an actress whose popularity is declining. Her agent Al exposes her to deep fake technology which creates a virtual version of an actor to play a role in any number of scenarios or films. These “actors” are 3D holographs with AI that have been trained to replicate the real person which they imitate. However, Robin is disconcerted with the lack of agency that she would have in deciding how her image and identity appeared in these movies.
- Kinolab
- 2013
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- 7 min
- Kinolab
- 2013
Digital Performers and the Gift of Choice
In this film, actress Robin Wright plays a fictionalized version of herself as an actress whose popularity is declining. Her agent Al exposes her to deep fake technology which creates a virtual version of an actor to play a role in any number of scenarios or films. These “actors” are 3D holographs with AI that have been trained to replicate the real person which they imitate. However, Robin is disconcerted with the lack of agency that she would have in deciding how her image and identity appeared in these movies.
What sorts of problems are implicated with the ability to manipulate another person’s body and likeness in a piece of media without their consent? Does technology like this actually have the potential to free actors from some of the constraints of the film industry, as Al says? How would acting be valued as an art, and actors paid accordingly and properly, if this technology became the norm?
The Congress: The Gift of Choice-
- 19 min
- Kinolab
- 1954
Once ships start mysteriously disappearing off the coast of Odo Island in post-WWII Japan, both scientists and villagers are confounded. Eventually, the culprit of these attacks is revealed to be Godzilla, a massive kaiju thought to be from the Jurassic era who has returned from the deep sea in order to wreak havoc and destruction on humanity. Scientists explain to government officials their theory that Hydrogen-bomb testing in the deep sea disrupted Godzilla’s natural habitat and provoked the attacks on Odo island. After debates over whether Godzilla should be killed or studied for contributions to science, the monster attacks Tokyo with flame breath. Emiko and Ogata implore Serizawa to deploy his new Oxygen Destroyer technology against this monster. This lethal device suffocates any living things before splitting oxygen molecules and liquefying anything organic in the range. While the technologies on display here are not necessarily digital in nature, this narrative nonetheless provides a non-American voice on the dangers of technology and innovation, especially as they are deployed in wars.
- Kinolab
- 1954
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- 19 min
- Kinolab
- 1954
War Technologies and Global Impacts
Once ships start mysteriously disappearing off the coast of Odo Island in post-WWII Japan, both scientists and villagers are confounded. Eventually, the culprit of these attacks is revealed to be Godzilla, a massive kaiju thought to be from the Jurassic era who has returned from the deep sea in order to wreak havoc and destruction on humanity. Scientists explain to government officials their theory that Hydrogen-bomb testing in the deep sea disrupted Godzilla’s natural habitat and provoked the attacks on Odo island. After debates over whether Godzilla should be killed or studied for contributions to science, the monster attacks Tokyo with flame breath. Emiko and Ogata implore Serizawa to deploy his new Oxygen Destroyer technology against this monster. This lethal device suffocates any living things before splitting oxygen molecules and liquefying anything organic in the range. While the technologies on display here are not necessarily digital in nature, this narrative nonetheless provides a non-American voice on the dangers of technology and innovation, especially as they are deployed in wars.
How should dangerous technology be regulated, as to not purposefully or inadvertently harm innocent citizens if deployed in wars? What modern warfare technologies are currently being used which could have unforeseen consequences? Should dangerous technology or specimens be kept around for scientific study, or should they just not be allowed to exist at all? How can it be insured that innovations and innovators are not abused by evil powers? What appears to be the metaphorical meaning of Godzilla in this narrative? How can technology exacerbate global divides and xenophobia?
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- 12 min
- Kinolab
- 1965
The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.
- Kinolab
- 1965
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- 12 min
- Kinolab
- 1965
Supercomputer Rule and Condensing Human Behavior
The city of Alphaville is under the complete rule of Alpha-60, an omnipresent robot whose knowledge is more vast than that of any human. This robot, whose learning and knowledge model is deemed “too complex for human understanding,” cements its rule through effectively outlawing emotion in Alphaville, with all definitions of consciousness centering on rationality. All words expressing curiosity or emotion are erased from human access, with asking “why” being replaced with saying “because.” Lemmy is a detective who has entered Alphaville from an external land to destroy Alpha-60. However, in their conversation, Alpha-60 is immediately able to suss out the suspicious aspects of Lemmy’s visit and character.
Can governing computers or machines ever be totally objective? Is this objectivity dangerous? Do humans need emotionality to define themselves and their societies, so that a focus on rationality does not allow for computers to take over rule of our societies? Can the actions of all humans throughout the past be reduced down to a pattern that computers can understand or manipulate? What are the implications of omnipresent technology in city settings?
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- 5 min
- Kinolab
- 1993
Jurassic Park is an under-review theme park where innovator John Hammond has managed to use computational genomics to revive the dinosaurs. The park is managed by a complex security system, involving an internet of things which connects security cameras, other monitors, and defense systems to the computers in the control room. Computer programmer Dennis Nedry, under command of a briber, uses malware to hack the computer systems and steal dinosaur DNA, turning the park into a very hostile environment for the scientists once the safety mechanisms fail.
- Kinolab
- 1993
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- 5 min
- Kinolab
- 1993
Systems Errors in Entertainment Areas
Jurassic Park is an under-review theme park where innovator John Hammond has managed to use computational genomics to revive the dinosaurs. The park is managed by a complex security system, involving an internet of things which connects security cameras, other monitors, and defense systems to the computers in the control room. Computer programmer Dennis Nedry, under command of a briber, uses malware to hack the computer systems and steal dinosaur DNA, turning the park into a very hostile environment for the scientists once the safety mechanisms fail.
How can workplaces be protected against hacks from someone who works within said workplace? Should safety systems be under the control of a small number of people or computers? Should volatile environments, such as nuclear power plants or dinosaur parks, be trusted with a security system involving a hackable internet of things? What are the alternatives? Is convenience worth the cost in this case?
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- 15 min
- Kinolab
- 1993
Dinosaurs are an extinct species that are revived and brought into the modern day in Jurassic Park. This is accomplished through a cloning process involving extracting dinosaur DNA from mosquitos preserved in amber, and using computational genomics to create replicants with certain properties, such as breeding only female dinosaurs. Three scientists are sent to audit the park, and all three find problems inherent with the use of technology in attempts to control life itself. Eventually, the park’s founder, John Hammond, admits that his idea to create entertainment out of this dangerous technological revival was a failure, which is seen in action during the subsequent dinosaur attack.
- Kinolab
- 1993
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- 15 min
- Kinolab
- 1993
Technological Revival of the Past
Dinosaurs are an extinct species that are revived and brought into the modern day in Jurassic Park. This is accomplished through a cloning process involving extracting dinosaur DNA from mosquitos preserved in amber, and using computational genomics to create replicants with certain properties, such as breeding only female dinosaurs. Three scientists are sent to audit the park, and all three find problems inherent with the use of technology in attempts to control life itself. Eventually, the park’s founder, John Hammond, admits that his idea to create entertainment out of this dangerous technological revival was a failure, which is seen in action during the subsequent dinosaur attack.
Is using computational genomics to alter the course of nature and natural selection itself inherently wrong? Are there contexts where this may be helpful or necessary? How should technology be used to tell the story of the past, and what limits should exist in this prospect? How can technological idealists like John Hammond be checked before their innovations lead to disaster?
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- 14 min
- Kinolab
- 1973
On a faraway planet, kidnapped humans under the name of Oms live as an inferior race to the Draggs, giant blue aliens that either keep the Oms as pets or banish them to the wilds to be consumed by extraterrestrial monsters. One of these Oms, Terr, is the pet of Tiwa, and begins to acquire an education through a malfunction of Tiwa’s brain-computer interface, which beams knowledge directly into her head. Terr eventually uses this cutting edge technology to which Oms do not usually have access to spread knowledge to other Oms and begin a revolt.
- Kinolab
- 1973
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- 14 min
- Kinolab
- 1973
Technology and Educational Inequalities
On a faraway planet, kidnapped humans under the name of Oms live as an inferior race to the Draggs, giant blue aliens that either keep the Oms as pets or banish them to the wilds to be consumed by extraterrestrial monsters. One of these Oms, Terr, is the pet of Tiwa, and begins to acquire an education through a malfunction of Tiwa’s brain-computer interface, which beams knowledge directly into her head. Terr eventually uses this cutting edge technology to which Oms do not usually have access to spread knowledge to other Oms and begin a revolt.
How can access to technology determine the quality of education that a certain person or group receives? How are people with less technological access or fluency somewhat at the mercy of those with more? How can educational technologies be made more equitable?