• 
• 8 min
• Kinolab
• 2011

In this episode, a princess is kidnapped, and the condition of her release is that the prime minister, Michael Callow, is forced to have sexual intercourse with a pig on live television. While the news media originally wants to keep this incident quiet, digital reporting from other news companies in the US eventually forces the UKN to start a conversation about this event. After an attempt at using deep fake to make the deed appear done, the prime minister is quickly slandered on social media, and public opinion on him and if he should carry out the act shifts rapidly online. With this quick change in mood, the prime minister ultimately fulfills the request in full view of the entire world over the news.

• Cyber Crime
• Social Networks
• Data Streaming

• 
• 9 min
• Kinolab
• 2015

After a hacker causes massive disruptive events across the globe, from destabilizing a nuclear reactor to changing the value of soy futures in the stock market, Nicolas Hathaway, a formerly convicted hacker, is released from prison to help solve the case. He eventually susses out that the hacker is targeting the internet of things which keeps conditions safe for a tin mine, similar to the internet of things which protected the nuclear reactor. The ultimate goal of the hacker is to use malware to disrupt economic systems, like the price of tin, and become richer.

• Cyber Crime
• Workplace Safety
• Internet of Things
• Malware

• 
• 15 min
• Kinolab
• 1997

Vincent, an “invalid” from the proximate future, was born naturally and is therefore seen as less  than humans such as his brother Anton who were conceived in a computational genetic selection process to ensure that the best traits are carried on. Thus, in this eugenic society, biometric technologies such as finger pricks and other scans are used to detect superior and inferior human genomes. Vincent, relinquished to service jobs, steals the identity of a genetically superior man named Eugene to fulfill his goal of going on a space mission, yet is never able to let go of his sibling rivalry. However, Vincent sets himself up to prove that humans edited through this computational genomics project are not automatically superior to those naturally born.

• Fundamental Ethics
• Edited Humans
• Biometrics
• Computational Genomics

• 
• 4 min
• Kinolab
• 2016

Westworld, a western-themed amusement park, is populated by realistic robotic creatures known as “hosts” that are designed in a lab and constantly updated to seem as real and organic as possible. Bernard, a worker at the park, stumbles across robotic hosts that are monitored and directed solely by the park’s director, Dr. Ford. Ford reveals that these robots are an enactment of nostalgic memories from his younger days that he wishes to preserve, especially since they were built by an old friend of his. Relates to digital memory and delaying forgetting.

• Artificial Companionship and Therapy
• Mixed Reality
• Robots

• 
• 8 min
• Kinolab
• 2016

Westworld, a western-themed amusement park, is populated by realistic robotic creatures known as “hosts” that are designed in a lab and constantly updated to seem as real and organic as possible. One of these hosts, Maeve, is programmed to be a prostitute who runs the same narrative every single day with the same personality. After several incidences of becoming conscious of her previous iterations, Maeve is told by Lutz, a worker in the Westworld lab, that she is a robot whose design and thoughts are mostly determined by humans, despite the fact that she feels and appears similar to humans such as Lutz. Once Lutz restores Maeve, she asks to be shown the “upstairs” where the robots are created to follow certain roles in the false reality of Westworld to immerse the real human guests. After seeing a trailer for the park, she begins to question the authenticity of her life. For more context, see the Maeve Part I narrative.

• AI Emotions and Rights
• Singularity
• Mixed Reality
• Robots

• 
• 5 min
• Kinolab
• 2016

Westworld, a western-themed amusement park, is populated by realistic robotic creatures known as “hosts” that are designed in a lab and constantly updated to seem as real and organic as possible. Dr. Ford, the park director, speaks to his employee Theresa about his hegemony over Westworld, and how he can rule it as a sort of empire thanks to the subservience of the robots and the data collected from guests.

• Data Privacy
• Digital Divides and Inequality
• Data Mining
• Robots