Themes (326)
Find narratives by ethical themes or by technologies.
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- 13 min
- Kinolab
- 2013
In this episode, Victoria wakes up with no memory of who she is in a post-apocalyptic scenario. She is chased and hunted by weapon-toting masked people, and gets no help from the bystanders who record her horrific struggle for survival on their smartphones. Eventually, it is revealed that this scenario is an engineered reality. While the digital technologies present here are limited, this narrative stands as an effective metaphor to study the phenomenon of “cancel culture” and other ways in which digital technologies alienate the humanity of others.
- Kinolab
- 2013
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- 13 min
- Kinolab
- 2013
Fascination and Desensitization through Digital Technologies
In this episode, Victoria wakes up with no memory of who she is in a post-apocalyptic scenario. She is chased and hunted by weapon-toting masked people, and gets no help from the bystanders who record her horrific struggle for survival on their smartphones. Eventually, it is revealed that this scenario is an engineered reality. While the digital technologies present here are limited, this narrative stands as an effective metaphor to study the phenomenon of “cancel culture” and other ways in which digital technologies alienate the humanity of others.
Do smartphones and their recording capabilities make people less sensitive to events or phenomena which they capture? How do digital news channels or platforms sensationalize bad people, especially criminals or other wrong-doers, and inspire collective hatred? How can digital technologies be designed to be more empathetic? Why is it so easy to criticize others over digital channels?
Black Mirror: Victoria Wakes Up-
- 2 min
- Kinolab
- 2014
In this brief clip, Matt explains that he was once “blocked” by his wife in real life. In this society, mostly everyone possesses a brain-computer interface. and are thus able to remove anyone they please from their experience of society and the world.
- Kinolab
- 2014
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- 2 min
- Kinolab
- 2014
The Realism and Consequences of “Blocking”
In this brief clip, Matt explains that he was once “blocked” by his wife in real life. In this society, mostly everyone possesses a brain-computer interface. and are thus able to remove anyone they please from their experience of society and the world.
Does “blocking” people in the digital world translate well to the real world? Is it realistic for humans to always be able to avoid people they don’t wish to see? What might people miss out on if they block everyone who they deem unfit of their attention? Do the positives of being able to block people in the digital world outweigh the negatives, or vice versa, or neither?
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- 6 min
- Kinolab
- 2014
In this episode, Matt and Joe Potter, who inhabit the same cabin, tell each other short stories from their lives. Eventually, Joe Potter reveals that he killed his former father in law, and shortly after became responsible for the murdered man’s granddaughter freezing to death in the snow. Once he confesses this crime, it is revealed that Joe Potter is actually a digital consciousness trapped inside a virtual reality manipulated by Matt, designed in order to get his murder confession. Now having given a clear confession, his digital consciousness is sentenced to live inside a virtual reality, existing in nothingness for thousands of years.
- Kinolab
- 2014
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- 6 min
- Kinolab
- 2014
Digital Interrogation and Torture Methods
In this episode, Matt and Joe Potter, who inhabit the same cabin, tell each other short stories from their lives. Eventually, Joe Potter reveals that he killed his former father in law, and shortly after became responsible for the murdered man’s granddaughter freezing to death in the snow. Once he confesses this crime, it is revealed that Joe Potter is actually a digital consciousness trapped inside a virtual reality manipulated by Matt, designed in order to get his murder confession. Now having given a clear confession, his digital consciousness is sentenced to live inside a virtual reality, existing in nothingness for thousands of years.
How can virtual reality be abused? If law enforcement come to use virtual reality as an interrogation technique, what should the rules and regulations be? Is it ethical to administer such interrogation or torture techniques unknowingly on any criminal, no matter how egregious their crime?
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- 7 min
- Kinolab
- 2014
Matt tells Joe Potter about how he used to train uploaded consciousnesses to take care of people’s homes. After somebody’s brain is copied and uploaded onto a cookie, the copy is often unwilling to perform the menial tasks asked of them. However, once the consciousness is inside the “cookie,” time can be manipulated however the real people see fit in order to coerce cooperation for the coded digital consciousness.
- Kinolab
- 2014
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- 7 min
- Kinolab
- 2014
Repetitive Code as a Menial Laborer
Matt tells Joe Potter about how he used to train uploaded consciousnesses to take care of people’s homes. After somebody’s brain is copied and uploaded onto a cookie, the copy is often unwilling to perform the menial tasks asked of them. However, once the consciousness is inside the “cookie,” time can be manipulated however the real people see fit in order to coerce cooperation for the coded digital consciousness.
Can we upload consciousness in order to make our lives easier? How do we ethically treat a digital consciousness? How can digital beings be put to good use in our lives? As AI potentially become more humanoid, is it justifiable to continue assigning them long repetitive tasks?
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- 5 min
- Kinolab
- 2014
In this vignette, Matt describes his backstory as a member of an online community who used technology called “Z-eyes” to walk each other through activities such as flirting with women at bars. The Z-eyes technology directly streams all audiovisual data which his friend Harry experiences to his screen, and Matt is additionally able to use facial recognition and information searches to offer background information which enhances Harry’s plays.
- Kinolab
- 2014
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- 5 min
- Kinolab
- 2014
Vicarious Digital Living
In this vignette, Matt describes his backstory as a member of an online community who used technology called “Z-eyes” to walk each other through activities such as flirting with women at bars. The Z-eyes technology directly streams all audiovisual data which his friend Harry experiences to his screen, and Matt is additionally able to use facial recognition and information searches to offer background information which enhances Harry’s plays.
What are some problems with technology such as this being invisible, in terms of privacy? Could this have legitimate therapeutic purposes, such as being a treatment for social anxiety? How should technology like Z-eyes be regulated?
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- 11 min
- Kinolab
- 2013
A CGI bear named Waldo is created using computer technology which sees the facial expressions of a comedian and renders it in real-time onto a screen. He is able to insult politicians with little retribution perhaps in part because he does not appear human. This power is harnessed by executives to put up Waldo as a candidate in a political race, where he is able to take part in a debate with real people and does not seem beholden to the same standards. Eventually, Waldo’s “driver” Jamie reveals his own identity, but Waldo continues on as a figure through embodying the voice of another worker in the company.
- Kinolab
- 2013
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- 11 min
- Kinolab
- 2013
Politics and Digital Mouthpieces
A CGI bear named Waldo is created using computer technology which sees the facial expressions of a comedian and renders it in real-time onto a screen. He is able to insult politicians with little retribution perhaps in part because he does not appear human. This power is harnessed by executives to put up Waldo as a candidate in a political race, where he is able to take part in a debate with real people and does not seem beholden to the same standards. Eventually, Waldo’s “driver” Jamie reveals his own identity, but Waldo continues on as a figure through embodying the voice of another worker in the company.
How do digital media, specifically social media platforms, allow critical and political voices to hide behind some wall of anonymity? Can digital abstractions of real political figures be considered to actually fully embody the person or candidate themself, especially when other staffers usually run their accounts? How do digital platforms change the nature of relationships between politicians and citizens in terms of direct communication? Does hiding behind digital platforms make it easier for anyone to make bold claims and statements?