The ability, especially of corporations or governments, to collect data that should not be publicly available.
Data Privacy (54)
Find narratives by ethical themes or by technologies.
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- 15 min
- The App Solutions
Overview of recommender systems, which are information filtering algorithms design to suggest content or products to a particular user.
- The App Solutions
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- 15 min
- The App Solutions
5 types of recommender systems and their impact on customer experience
Overview of recommender systems, which are information filtering algorithms design to suggest content or products to a particular user.
How do information filtering algorithms work and learn? Are some types of recommender systems more generally ethical than others?
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- 5 min
- Inc
- 2021
On International Data Privacy Day, Apple CEO Tim Cook fired shots against Mark Zuckerberg and Facebook’s model of mining user data through platform analytics and web mining to serve up targeted ads to users. By contrast, Cook painted Apple as a privacy oriented company who wants to make technology work for its users by not collecting their data and manipulating them psychologically through advertising.
- Inc
- 2021
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- 5 min
- Inc
- 2021
Tim Cook May Have Just Ended Facebook
On International Data Privacy Day, Apple CEO Tim Cook fired shots against Mark Zuckerberg and Facebook’s model of mining user data through platform analytics and web mining to serve up targeted ads to users. By contrast, Cook painted Apple as a privacy oriented company who wants to make technology work for its users by not collecting their data and manipulating them psychologically through advertising.
Are you convinced that Apple has a better business model than Facebook? Should users be responsible for taking steps to protect themselves against web mining, or should Facebook be responsible for adding in more guardrails? What are the consequences of both Facebook and Apple products being involved in larger architectures that extend beyond the singular digital artifact?
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- 6 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Kate Hatfield, a new mother, discovers that someone has hacked into the device in her head, and thus was able to access some of her lived memories. Later, the culprit of this hack is revealed to be her father-in-law Lawrence, who was attempting to implant the Feed into Bea, the new baby.
- Kinolab
- 2019
Consent and Control with Personal Data
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Kate Hatfield, a new mother, discovers that someone has hacked into the device in her head, and thus was able to access some of her lived memories. Later, the culprit of this hack is revealed to be her father-in-law Lawrence, who was attempting to implant the Feed into Bea, the new baby.
What are the dangers that come with ‘backing up’ memory to some type of cloud account? What risks are posed by hackers and corporations that run such backing up services? Is there something special about the transient, temporary nature of human memory that should remain as it is? How much of our privacy are we willing to sacrifice in order for safety/connectivity? How should consent work in terms of installing a brain-computer interface into a person? Should a parent or other family member be able to decide this for a child?
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- 9 min
- Kinolab
- 2010
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room as a small site among friends soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history… but for this entrepreneur, success leads to both personal and legal complications.
- Kinolab
- 2010
Facebook Origins and Control Over Photos
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room as a small site among friends soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history… but for this entrepreneur, success leads to both personal and legal complications.
With increased sophistication of hacking, are anyone’s photos ever private in a digital space? When personal photos are uploaded to digital platforms for one purpose, how can users ensure that they are not used for another purpose? Has Facebook truly evolved beyond its roots of using photos to make binary judgements about people, or will this “hot or not” program always be a part of its character? How are women in particular targeted and impacted by privacy of photos? How does this narrative highlight some of the problems with the use of Facebook today? How did Facebook’s “coolness,” along with its apparent lack of cost for use, help it corner markets and make unfathomable profits?
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- 4 min
- Kinolab
- 2020
In this imagined future, citizens interact with the world and with each other through brain-computer interface devices which augment reality in ways such as sending each other visual messages or changing one’s appearance at a moment’s notice. Additionally, with this device, everyone can automatically see a “ranking” of other people, in which Alphas or As are the best and Epsilons or Es are the worst. With all of these features of the devices, privacy in its many forms is all but outlawed in this society.
- Kinolab
- 2020
Augmented Communication and a Post-Privacy Era
In this imagined future, citizens interact with the world and with each other through brain-computer interface devices which augment reality in ways such as sending each other visual messages or changing one’s appearance at a moment’s notice. Additionally, with this device, everyone can automatically see a “ranking” of other people, in which Alphas or As are the best and Epsilons or Es are the worst. With all of these features of the devices, privacy in its many forms is all but outlawed in this society.
How can brain-computer interfaces work together with virtual reality to enable us to share images, styles, and other information to our friends more seamlessly? What if humans could also implement VR into our communications? Would that improve interactions? How could deception sneak into this system? How do social media quantifications, such as a number of likes or followers, act as a sort of preliminary “ranking” for a person, and how does this affect people’s opportunities? Have social media and other digital media platforms conditioned society to see a lack of privacy as the norm, and conversely privacy as a sort of vice? How should we continue to value privacy in the age of social media monopolies?
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- 7 min
- Kinolab
- 2008
Under threat of eviction, Luz must find a quick way to make some money to pay rent. Thankfully, through the company TruNode, she can digitize her memories and sell them on the internet for anyone who may wish to access and stream them. While this seems convenient, the downsides are shown when the repository of her memories are used to help ruthless drone pilot Rudy Ramirez hunt down an innocent laborer who is a supposedly dangerous criminal. After Luz reveals this means of making money to Memo, the aforementioned innocent laborer, he is less than enthused with the system.
- Kinolab
- 2008
Selling Digitized Memories
Under threat of eviction, Luz must find a quick way to make some money to pay rent. Thankfully, through the company TruNode, she can digitize her memories and sell them on the internet for anyone who may wish to access and stream them. While this seems convenient, the downsides are shown when the repository of her memories are used to help ruthless drone pilot Rudy Ramirez hunt down an innocent laborer who is a supposedly dangerous criminal. After Luz reveals this means of making money to Memo, the aforementioned innocent laborer, he is less than enthused with the system.
How can the high cost of very personal data and digital memories be both empowering in the right circumstances and disempowering in the wrong ones? What if people were able to sell all of their personal data, as is shown here? Is the complete digitization of memory a positive concept or a negative one? How can data or memory be purchased for nefarious purposes? How can people be unintentionally harmed by this system? Can the emotions of memories ever be paired well with a digital interface?