Edited Humans (28)

The genetic and biometric ways in which the human body can be edited.

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 5 min
  • Kinolab
  • 2013
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Removed from Reality

Actress Robin Wright plays a fictionalized version of herself who traverses through both the real world and the mixed reality of Abrahama city in this narrative. As Miramount Studio animator Dylan explains to her, the rules of the mixed reality allow people to appear as an avatar which they please, editing their human features into more imaginative ones. With this capability, many people choose to remain in the mixed reality permanently, leaving the real world in a grim stupor.

  • Kinolab
  • 2013
  • 16 min
  • Kinolab
  • 2004
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Digital Memory Erasure and Brain Mapping

Joel Barish recently broke up with Clementine, his girlfriend of two years, in a brutal argument. After discovering that she has used a procedure known as Lacuna to erase him from her memories, Joel decides to undergo the same procedure to forget that he ever knew Clementine. The procedure uses a brain-computer interface to map the areas of Joel’s brain that are active whenever he has a memory of Clementine, first when he is awake and using associated objects to perform active recall and then when he is asleep and subconsciously remembering her. Despite Joel’s eventual regrets and desperate attempts to remember Clementine, the procedure is successful, and he forgets her. However, Joel and Clementine reunite in the real world after their respective procedures, and as they have a fresh start, they end up listening to Clementine’s tape from before the procedure where she dissects all of the flaws of Joel and their relationship.

  • Kinolab
  • 2004
  • 10 min
  • Kinolab
  • 2020
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Virtual Afterlives and Adaptation

After dying in a car crash, computer programmer Nathan’s consciousness is uploaded into the  Lakeview program, one of many digital afterlives in which resurrected consciousnesses are guided through the virtual reality by a living “angel” figure. After Nathan struggles to adapt to his new reality, his angel figure, Nora, appears in the virtual reality to convince him to stay. However, Nora is having struggles of her own in convincing her father to accept the virtual afterlife in place of a supposed real heaven. For a similar premise, see the narrative “Afterlives and Liberation in Digital Utopias” on the San Junipero episode of Black Mirror. 

  • Kinolab
  • 2020
  • 3 min
  • Kinolab
  • 2019
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Digitally Reproducing Humans and “Possession”

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Tom and Ben find out that their father Lawrence, the creator of the Feed, harvested the Feeds from dead people and used the data stored therein to upload their consciousnesses, including memories and emotions, into a cloud. After seeing the “training data” of Lawrence creating digital consciousnesses on this program, an AI was able to make many more digital consciousnesses of non-real people. These consciousnesses are then able to “possess” human bodies through being uploaded to the Feed devices implanted in real people’s brains.

  • Kinolab
  • 2019
  • 3 min
  • Kinolab
  • 2019
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Digital Cloning

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his best friend Max is a robot of sorts, posing as a human. In reality, the body in the tub is a host which contains the digital consciousness of Max, formerly uploaded to a cloud through his feed and then downloaded into this new body. The new version of Max debates with Tom about why he should be considered a true human being.

  • Kinolab
  • 2019
  • 2 min
  • Kinolab
  • 2019
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Personal Control over Memories

In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his father had deleted some of his childhood memories from the device in his brain, thus Tom has lost all access to them. For further insights into technology and the nature of parent-child relationships, see the narratives “Marie and Sara Parts I and II.”

  • Kinolab
  • 2019
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