The genetic and biometric ways in which the human body can be edited.
Edited Humans (28)
Find narratives by ethical themes or by technologies.
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- 5 min
- Kinolab
- 2013
Actress Robin Wright plays a fictionalized version of herself who traverses through both the real world and the mixed reality of Abrahama city in this narrative. As Miramount Studio animator Dylan explains to her, the rules of the mixed reality allow people to appear as an avatar which they please, editing their human features into more imaginative ones. With this capability, many people choose to remain in the mixed reality permanently, leaving the real world in a grim stupor.
- Kinolab
- 2013
Removed from Reality
Actress Robin Wright plays a fictionalized version of herself who traverses through both the real world and the mixed reality of Abrahama city in this narrative. As Miramount Studio animator Dylan explains to her, the rules of the mixed reality allow people to appear as an avatar which they please, editing their human features into more imaginative ones. With this capability, many people choose to remain in the mixed reality permanently, leaving the real world in a grim stupor.
Who has a responsibility to ensure that mixed and virtual realities are not tantalizing enough to absolve humans from the responsibility for caring for the real world? How can addiction to digital realities be ameliorated? What issues of identity and presentation to others arise from the capability to appear however one pleases? How is this empowering, and how is this dangerous?
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- 16 min
- Kinolab
- 2004
Joel Barish recently broke up with Clementine, his girlfriend of two years, in a brutal argument. After discovering that she has used a procedure known as Lacuna to erase him from her memories, Joel decides to undergo the same procedure to forget that he ever knew Clementine. The procedure uses a brain-computer interface to map the areas of Joel’s brain that are active whenever he has a memory of Clementine, first when he is awake and using associated objects to perform active recall and then when he is asleep and subconsciously remembering her. Despite Joel’s eventual regrets and desperate attempts to remember Clementine, the procedure is successful, and he forgets her. However, Joel and Clementine reunite in the real world after their respective procedures, and as they have a fresh start, they end up listening to Clementine’s tape from before the procedure where she dissects all of the flaws of Joel and their relationship.
- Kinolab
- 2004
Digital Memory Erasure and Brain Mapping
Joel Barish recently broke up with Clementine, his girlfriend of two years, in a brutal argument. After discovering that she has used a procedure known as Lacuna to erase him from her memories, Joel decides to undergo the same procedure to forget that he ever knew Clementine. The procedure uses a brain-computer interface to map the areas of Joel’s brain that are active whenever he has a memory of Clementine, first when he is awake and using associated objects to perform active recall and then when he is asleep and subconsciously remembering her. Despite Joel’s eventual regrets and desperate attempts to remember Clementine, the procedure is successful, and he forgets her. However, Joel and Clementine reunite in the real world after their respective procedures, and as they have a fresh start, they end up listening to Clementine’s tape from before the procedure where she dissects all of the flaws of Joel and their relationship.
Is it possible to completely forget and event or a person in the digital age, or is there always the possibility that traces will remain? Do digital technologies hold memories well enough, or is there something more abstract about these memories that they cannot capture? How could the technology displayed here be abused? Does pervasive digital memory of people and events ever allow us to feel completely neutral about another person, and is the a departure from the pre-digital age? Do humans have an over-reliance on digital memory? How have relationships changed with the advent of digital memory?
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- 10 min
- Kinolab
- 2020
After dying in a car crash, computer programmer Nathan’s consciousness is uploaded into the Lakeview program, one of many digital afterlives in which resurrected consciousnesses are guided through the virtual reality by a living “angel” figure. After Nathan struggles to adapt to his new reality, his angel figure, Nora, appears in the virtual reality to convince him to stay. However, Nora is having struggles of her own in convincing her father to accept the virtual afterlife in place of a supposed real heaven. For a similar premise, see the narrative “Afterlives and Liberation in Digital Utopias” on the San Junipero episode of Black Mirror.
- Kinolab
- 2020
Virtual Afterlives and Adaptation
After dying in a car crash, computer programmer Nathan’s consciousness is uploaded into the Lakeview program, one of many digital afterlives in which resurrected consciousnesses are guided through the virtual reality by a living “angel” figure. After Nathan struggles to adapt to his new reality, his angel figure, Nora, appears in the virtual reality to convince him to stay. However, Nora is having struggles of her own in convincing her father to accept the virtual afterlife in place of a supposed real heaven. For a similar premise, see the narrative “Afterlives and Liberation in Digital Utopias” on the San Junipero episode of Black Mirror.
How might digital afterlives change the role of religion in the conceptualization of what happens after death? Is digital immortality in contradiction with religion? In this world, access to certain afterlives are determined by wealth, with more cushy afterlives costing more money. What ethical concerns does this raise? If there is to be a digital afterlife, does everyone need a fair shot at access? Should everyone have a fair shot at access, even if they led an evil life? Should such technology as this be privatized and under centralized control? Is it feasible to have people remain in the virtual world forever, or will VR never match up to actual reality?
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- 3 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Tom and Ben find out that their father Lawrence, the creator of the Feed, harvested the Feeds from dead people and used the data stored therein to upload their consciousnesses, including memories and emotions, into a cloud. After seeing the “training data” of Lawrence creating digital consciousnesses on this program, an AI was able to make many more digital consciousnesses of non-real people. These consciousnesses are then able to “possess” human bodies through being uploaded to the Feed devices implanted in real people’s brains.
- Kinolab
- 2019
Digitally Reproducing Humans and “Possession”
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. In this narrative, Tom and Ben find out that their father Lawrence, the creator of the Feed, harvested the Feeds from dead people and used the data stored therein to upload their consciousnesses, including memories and emotions, into a cloud. After seeing the “training data” of Lawrence creating digital consciousnesses on this program, an AI was able to make many more digital consciousnesses of non-real people. These consciousnesses are then able to “possess” human bodies through being uploaded to the Feed devices implanted in real people’s brains.
Do we as humans need the physical world and our bodies, or can we successfully transfer/upload consciousness and live only in the digital space? Is consciousness the same thing as a soul, or different? Are these people discussed in the clip human, AI, or something in between? What are the far-reaching consequences of AI potentially being able to create realistic consciousnesses? How can brain-computer interfaces implanted into a person lead to a complete loss of their own autonomy? Can and should humans choose to donate their consciousnesses, memories, or emotions to science, with ultimately small knowledge of how these may be deployed?
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- 3 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his best friend Max is a robot of sorts, posing as a human. In reality, the body in the tub is a host which contains the digital consciousness of Max, formerly uploaded to a cloud through his feed and then downloaded into this new body. The new version of Max debates with Tom about why he should be considered a true human being.
- Kinolab
- 2019
Digital Cloning
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his best friend Max is a robot of sorts, posing as a human. In reality, the body in the tub is a host which contains the digital consciousness of Max, formerly uploaded to a cloud through his feed and then downloaded into this new body. The new version of Max debates with Tom about why he should be considered a true human being.
If having brain-computer interfaces collect millions of data points from each person, including memories, means that the life of each person can be extended if they die prematurely, is this worth the cost? Is this a true “life”? Whose viewpoint do you agree with more in this narrative?
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- 2 min
- Kinolab
- 2019
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his father had deleted some of his childhood memories from the device in his brain, thus Tom has lost all access to them. For further insights into technology and the nature of parent-child relationships, see the narratives “Marie and Sara Parts I and II.”
- Kinolab
- 2019
Personal Control over Memories
In an imagined future of London, citizens all across the globe are connected to the Feed, a device and network accessed constantly through a brain-computer interface. Tom, the son of the Feed’s creator Lawrence, realizes that his father had deleted some of his childhood memories from the device in his brain, thus Tom has lost all access to them. For further insights into technology and the nature of parent-child relationships, see the narratives “Marie and Sara Parts I and II.”
What rights do parents have over the minds and bodies of their children? Should parents ever be able to alter the memories of their children, even if this is supposedly for their own good? What are the consequences of the externalisation of memory through digital technology? How should children be able to give consent for alterations to technological implants?