Privacy (137)

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Find narratives by ethical themes or by technologies.

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Themes
  • Privacy
  • Accountability
  • Transparency and Explainability
  • Human Control of Technology
  • Professional Responsibility
  • Promotion of Human Values
  • Fairness and Non-discrimination
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Technologies
  • AI
  • Big Data
  • Bioinformatics
  • Blockchain
  • Immersive Technology
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  • Year
    • 1916 - 1966
    • 1968 - 2018
    • 2019 - 2069
  • Duration
  • 7 min
  • Wired
  • 2020
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Congress Is Eyeing Face Recognition, and Companies Want a Say

As different levels of the U.S government have introduced and passed bills regulating or banning the use of facial recognition technologies, tech monopolies such as Amazon and IBM have become important lobbying agents in these conversations. It seems that most larger groups are on different pages in terms of how exactly face recognition algorithms should be limited or used, especially given their negative impacts on privacy when used for surveillance.

  • Wired
  • 2020
  • 7 min
  • Wired
  • 2020
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Facial Recognition Applications on College Campuses

After student members of the University of Miami Employee Student Alliance held a protest on campus, the University of Miami Police Department likely used facial recognition technology in conjunction with video surveillance cameras to track down nine students from the protest and summon them to a meeting with the dean. This incident provided a gateway into the discussion of fairness of facial recognition programs, and how students believe that they should not be deployed on college campuses.

  • Wired
  • 2020
  • 4 min
  • Kinolab
  • 1995
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Identity Through Memory and Data

In this world, a human consciousness (“ghost”) can inhabit an artificial body (“shell”), thus at once becoming edited humans in a somewhat robotic body. Major, a security officer, sees how a garbage man is sad to know that his ghost has been hacked and filled with false memories of a family, and dives to set up her own reflections with self-identity developed later in the film, especially as she starts to believe that she may be entirely a cyborg with no knowledge of such an existence. Essentially, because the human body has become so thoroughly and regularly augmented with cybernetic parts and even computer brains, defining a real “human” becomes harder and harder.

  • Kinolab
  • 1995
  • 10 min
  • Kinolab
  • 1998
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Celebrity Culture, Streaming Life, and Reality Television

Truman, the result of an unwanted pregnancy, was the first baby to be legally adopted by a corporation. From this adoption, he grew up on the set of a reality TV show in a massive sound stage, completely unaware that he was constantly being filmed and watched by viewers all across the world. As an adult, he begins to suspect that something about his reality is very wrong, and confronts his wife about this perception. Sylvia, a love interest of Truman, affirms her stance that documenting Truman without his consent is an unethical form of entertainment since he has no agency. Ultimately, he is able to reclaim this agency by leaving the show’s set and joining the real world.

  • Kinolab
  • 1998
  • 14 min
  • Kinolab
  • 2014
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Interaction Records and Privacy from Parents

Brandy and Tim are two teens who attempt to live normal lives through interacting with their peers through social media platforms. For Brandy, this means using a secret Tumblr account to express herself, since her mother has passwords to all her other accounts and is able to constantly collect data from her daughter’s devices. Tim finds similar comfort in chatting with anonymous friends in an online game chat room. Tim and Brandy’s developing relationship is threatened once both of their parents overstep and violate their children’s privacy and trust.

  • Kinolab
  • 2014
  • 9 min
  • Kinolab
  • 2013
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Dangers of Digital Commodification

In the world of this film, Robin Wright plays a fictional version of herself who has allowed herself to be digitized by the film company Miramount Studios in order to be entered into many films without having to actually act in them, becoming digitally immortal in a sense. Once she enters a hallucinogenic mixed reality known as Abrahama City, she agrees to renew the contract with Miramount studios under the panic of her declining mental health and sense of autonomy. This renewed contract will not only allow movies starring her digital likeness to be made, but will also allow people to appear as her.

  • Kinolab
  • 2013
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