Themes (326)
Find narratives by ethical themes or by technologies.
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- 3 min
- Kinolab
- 2019
Rachel, a fifteen year old fan of the pop star Ashley O, is gifted an Ashley Too doll for her birthday. Ashley Too is a robot who contains a synaptic snapshot of Ashley O, and thus emulates her personality and can carry on a conversation with the owner of the doll.
- Kinolab
- 2019
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- 3 min
- Kinolab
- 2019
Digital Duplicates and Friendship
Rachel, a fifteen year old fan of the pop star Ashley O, is gifted an Ashley Too doll for her birthday. Ashley Too is a robot who contains a synaptic snapshot of Ashley O, and thus emulates her personality and can carry on a conversation with the owner of the doll.
How can robots and devices such as the Ashley Too doll help children cope with grief or loneliness? How can it be ensured that children branch out in their connections beyond such robots? What are the issues present with modeling artificial companions after real-life public figures?
Black Mirror: Meeting Ashley Too-
- 7 min
- Kinolab
- 1968
Dr. Dave Bowman and Dr. Frank Poole are two astronauts on the mission Discovery to Jupiter. They are joined by HAL, an artificial intelligence machine named after the most recent iteration of his model, the HAL 9000 computer. HAL is seen as just another member of the crew based upon his ability to carry conversations with the other astronauts and his responsibilities for keeping the crew safe.
- Kinolab
- 1968
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- 7 min
- Kinolab
- 1968
HAL Part I: AI Camaraderie and Conversation
Dr. Dave Bowman and Dr. Frank Poole are two astronauts on the mission Discovery to Jupiter. They are joined by HAL, an artificial intelligence machine named after the most recent iteration of his model, the HAL 9000 computer. HAL is seen as just another member of the crew based upon his ability to carry conversations with the other astronauts and his responsibilities for keeping the crew safe.
Should humans count on AI entirely to help keep them safe in dangerous situations or environments? Do you agree with Dave’s assessment that one can “never tell” if an AI has real feelings? What counts as “real feelings”? Even if HAL’s human tendencies follow a line of programming, does this make them less real?
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- 12 min
- Kiniolab
- 1968
In the opening of the film, the viewpoint jumps from the earliest hominids learning how to use the first tools to survive and thrive in the prehistoric era to the age of space travel in an imagined version of the year 2001. In both cases, the scientific innovation surrounds a mysterious, unmarked monolith.
- Kiniolab
- 1968
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- 12 min
- Kiniolab
- 1968
The Duality of Tools and Runaway Innovation
In the opening of the film, the viewpoint jumps from the earliest hominids learning how to use the first tools to survive and thrive in the prehistoric era to the age of space travel in an imagined version of the year 2001. In both cases, the scientific innovation surrounds a mysterious, unmarked monolith.
How can the most basic of innovations grow to unexpected heights in the span of many years? Could the inventors of the first computers have imagined the modern internet? How can and should innovation be controlled? Is it worth trying to predict what consequences innovation will have millions of years from now? Should the potential positive and negative impacts of certain tools, including digital ones, be thoroughly considered before being put to use, even if their convenience seems to outweigh negative consequences?
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- 9 min
- Kinolab
- 2014
Will Caster is an artificial intelligence scientist whose consciousness his wife Evelyn uploaded to the internet after his premature death. Dr. Caster used his access to the internet to grant himself vast intelligence, creating a technological utopia called Brightwood in the desert to get enough solar power to develop cutting-edge digital projects. Specifically, he uses nanotechnology to cure fatal or longtime inflictions on people, inserting tiny robots into their bodies to help cells recover. However, it is soon revealed that these nanorobots stay inside their human hosts, allowing Will to project his consciousness into them and generally control them, along with other inhuman traits.
- Kinolab
- 2014
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- 9 min
- Kinolab
- 2014
Will, Evelyn, and Max Part II: Medical Nanotechnology and Networked Humans
Will Caster is an artificial intelligence scientist whose consciousness his wife Evelyn uploaded to the internet after his premature death. Dr. Caster used his access to the internet to grant himself vast intelligence, creating a technological utopia called Brightwood in the desert to get enough solar power to develop cutting-edge digital projects. Specifically, he uses nanotechnology to cure fatal or longtime inflictions on people, inserting tiny robots into their bodies to help cells recover. However, it is soon revealed that these nanorobots stay inside their human hosts, allowing Will to project his consciousness into them and generally control them, along with other inhuman traits.
Should nanotechnology be used for medical purposes if it can easily be abused to take away the autonomy of the host? How can use of nanotechnology avoid this critical pitfall? How can seriously injured people consent to such operations in a meaningful way? What are the implications of nanotechnology being used to create technological or real-life underclasses? Should human brains ever be networked to each other, or to any non-human device, especially one that has achieved singularity?
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- 14 min
- Kinolab
- 2014
Will Caster and his wife Evelyn work together on a project known as “Transcendence,” in which he hopes to help artificial intelligence attain singularity by figuring out how to pair sentience with its massive intelligence. After he is shot dead by an anti-technology terrorist group, his consciousness is uploaded virtually, allowing him to continue his life as a coded program. After this digitally immortal consciousness is paired with the internet, Will’s powers grow immensely, and his manipulative reach becomes global.
- Kinolab
- 2014
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- 14 min
- Kinolab
- 2014
Will, Evelyn, and Max Part I: Digital Resurrection and Incorporation
Will Caster and his wife Evelyn work together on a project known as “Transcendence,” in which he hopes to help artificial intelligence attain singularity by figuring out how to pair sentience with its massive intelligence. After he is shot dead by an anti-technology terrorist group, his consciousness is uploaded virtually, allowing him to continue his life as a coded program. After this digitally immortal consciousness is paired with the internet, Will’s powers grow immensely, and his manipulative reach becomes global.
Are digitally uploaded consciousnesses technically the real person, or just an imitation? Should digital immortality be allowed if it means digital humans may have far more power than living humans? If people become able to upload consciousnesses, how should they be kept from abusing vast networks? If or when technology reaches the singularity point, how should this be regulated, and how can it be ensured that such powerful technology is not abused for hegemonic purposes?
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- 10 min
- Kinolab
- 2011
In this film, the entire globe copes with the outbreak and spread of the mysterious MEV-1 virus. Amidst the chaos, blogger Alan Krumwiede rises to prominence by spouting conspiracy theories such as the tale of how he was “cured” of the virus using the mysterious drug Forsythia. He uses his new platform to challenge the CDC and its policies before ultimately being arrested for spreading misinformation.
- Kinolab
- 2011
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- 10 min
- Kinolab
- 2011
Misinformation and Hysteria During Global Emergencies
In this film, the entire globe copes with the outbreak and spread of the mysterious MEV-1 virus. Amidst the chaos, blogger Alan Krumwiede rises to prominence by spouting conspiracy theories such as the tale of how he was “cured” of the virus using the mysterious drug Forsythia. He uses his new platform to challenge the CDC and its policies before ultimately being arrested for spreading misinformation.
Can misinformation on digital media channels be handled any better than it already is, or are we at the point where any digital media misinformation which occurs is an inevitable byproduct of the existence of these channels? How can experts maintain authority in the digital age? Do digital technologies cause more bouts of hysteria than there would have been before their existence?