Themes (326)
Find narratives by ethical themes or by technologies.
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- 6 min
- Kinolab
- 2011
After a mysterious global outbreak of an unknown virus, several health organizations, including the CDC, get to work figuring out the origins of the virus and how to defeat it. They begin by digitally analysing the genome of one strain of the virus to understand how it infects the human body and how to vaccinate against it. They then use surveillance cameras to track the movements of Beth, one of the first known cases of the virus. At the end of the film, an omniscient point of view reveals how Beth originally got the virus.
- Kinolab
- 2011
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- 6 min
- Kinolab
- 2011
Digital Analysis of Composition and Spread of Viruses
After a mysterious global outbreak of an unknown virus, several health organizations, including the CDC, get to work figuring out the origins of the virus and how to defeat it. They begin by digitally analysing the genome of one strain of the virus to understand how it infects the human body and how to vaccinate against it. They then use surveillance cameras to track the movements of Beth, one of the first known cases of the virus. At the end of the film, an omniscient point of view reveals how Beth originally got the virus.
On a macrocosmic scale, have digital technologies made humans better in terms of warding off viruses? Does being able to get genomic data about viruses more quickly always equate to quick eradication of a disease? Are global pandemics large enough emergencies to potentially violate the privacy of those who spread them through means such as surveillance programs? What about the spread of viruses is impossible for even digital technologies to capture?
Contagion: The R-0-
- 14 min
- Kinolab
- 2019
Ashley O is a pop star who lives and works under the tyrannical direction of her aunt and producer, Catherine. After Ashley decides she wants to rebel against her contract, Catherine places her in a coma and scans her brain to help create a digital likeness of Ashley O and produce new music which the 3D holograph can perform, all under Catherine’s control. Meanwhile, siblings Rachel and Jack hack a robot based on a synaptic snapshot of Ashley O, allowing the virtual consciousness of Ashley O to be reborn in the robot and help plot to take down Catherine. Working together, they manage to thwart the grand debut of the edited holographic version of Ashley O.
- Kinolab
- 2019
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- 14 min
- Kinolab
- 2019
Celebrity Autonomy, Producer Tyranny, and Holographic Performances
Ashley O is a pop star who lives and works under the tyrannical direction of her aunt and producer, Catherine. After Ashley decides she wants to rebel against her contract, Catherine places her in a coma and scans her brain to help create a digital likeness of Ashley O and produce new music which the 3D holograph can perform, all under Catherine’s control. Meanwhile, siblings Rachel and Jack hack a robot based on a synaptic snapshot of Ashley O, allowing the virtual consciousness of Ashley O to be reborn in the robot and help plot to take down Catherine. Working together, they manage to thwart the grand debut of the edited holographic version of Ashley O.
How can celebrities keep their autonomy when producers can easily replicate them or their performances? How can musicians and other performers continue to keep a share of credit or profit when producers can easily co-opt their art? Should this technology be used to “extend the life” of musicians, allowing for holographic performances even after they pass away? What are the ethical questions raised with this concept? Should digital consciousnesses be fundamentally limited, especially when they are based on real people? How would this improperly shape the image of a celebrity, either before or after their death?
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- 8 min
- Kinolab
- 2019
Chris, a ride-share driver who took passenger Jaden hostage in order to leverage a conversation with social media CEO Billy Bauer, tells the story of how his distracted driving (through looking at a notification from social media on his smartphone) ultimately killed his wife and other drivers. As the hostage situation comes to an end, the world watches over social networks before looking up from their phones and returning to their lives.
- Kinolab
- 2019
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- 8 min
- Kinolab
- 2019
Consistent Digital Distraction
Chris, a ride-share driver who took passenger Jaden hostage in order to leverage a conversation with social media CEO Billy Bauer, tells the story of how his distracted driving (through looking at a notification from social media on his smartphone) ultimately killed his wife and other drivers. As the hostage situation comes to an end, the world watches over social networks before looking up from their phones and returning to their lives.
Does the speed and volume of sensational events which users can access through digital channels ultimately de-sensitize users to the real world? Do social media companies have culpability in ensuring that their products are not over-addictive, or does responsibility ultimately fall solely on users to make the right choices? Are current protections against distracted driving aggressive enough? In a meta-commentary sense, do you believe this narrative adds anything new to the digital addiction/distracted driving conversation, or is it the same warning that has been given over and over again to no avail?
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- 10 min
- Kinolab
- 2018
Cassius “Cash” Green is a telemarketer who is taught to harness his “white voice,” which essentially means to exude privilege, in order to reach success. While this does eventually earn him upward mobility within the corporation RegalView, an owner of the controversial labor-contracting company WorryFree, his new status begins to conflict with his friends’ unionized protest efforts against the corporation.
- Kinolab
- 2018
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- 10 min
- Kinolab
- 2018
Identity and Mobility in a Techno-capitalist Economy
Cassius “Cash” Green is a telemarketer who is taught to harness his “white voice,” which essentially means to exude privilege, in order to reach success. While this does eventually earn him upward mobility within the corporation RegalView, an owner of the controversial labor-contracting company WorryFree, his new status begins to conflict with his friends’ unionized protest efforts against the corporation.
Have corporations become more or less adept at image control in the digital age? Does the common laborer have any more of a voice than they did before digital communication channels? How might the “white voice” be interpreted as commentary on how digital communication channels allow one to act in a completely different identity, no matter how false it is?
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- 8 min
- Kinolab
- 2019
Chris is a ride-share driver who has taken passenger Jaden hostage, with the conditions of release being that he is connected with Billy Bauer, the CEO of social media company Smithereen, for a conversation. While the London police attempt to deal with the situation through negotiation, the management team at Smithereen uses several data mining techniques, including analysis of Chris’s various social media pages and audio data streaming from his device, to provide the police with a valuable and complete profile on Chris.
- Kinolab
- 2019
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- 8 min
- Kinolab
- 2019
Social Media Data and Cooperation with Law Enforcement
Chris is a ride-share driver who has taken passenger Jaden hostage, with the conditions of release being that he is connected with Billy Bauer, the CEO of social media company Smithereen, for a conversation. While the London police attempt to deal with the situation through negotiation, the management team at Smithereen uses several data mining techniques, including analysis of Chris’s various social media pages and audio data streaming from his device, to provide the police with a valuable and complete profile on Chris.
Are things said on social media fair game for law enforcement to use against a person? Does this include data that a user might not even know a company has gathered on them? How might “abstractions” of a user formed by a social media company be misused to make a bad judgement about a person? Should social media information and profiles of users made by companies be used in attempts to stop crime or criminals before any wrongdoings are committed? What are the dangers of big data companies having a close relationship with law enforcement?
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- 6 min
- Kinolab
- 2019
Chris is a driver at an Uber-esque company with a great amount of anxiety and disdain for the widespread addiction to smartphones. He inexplicably waits outside the same building every day to pick up clients. One day, he finally proceeds with a dastardly plan.
- Kinolab
- 2019
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- 6 min
- Kinolab
- 2019
Ride-Hailing Hazards
Chris is a driver at an Uber-esque company with a great amount of anxiety and disdain for the widespread addiction to smartphones. He inexplicably waits outside the same building every day to pick up clients. One day, he finally proceeds with a dastardly plan.
How has digital addiction made the expectation for convenience so normalized that people are willing to put themselves into dangerous situations, as the passenger Jaden does here? What kinds of safety features have companies like Uber or Lyft built into their platforms so far, and how could they do even better?